中國(guó)民族歌劇板腔體唱段研究.pdf

1、南京藝術(shù)學(xué)院碩士學(xué)位論文中國(guó)民族歌劇板腔體唱段研究姓名：南欣申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：音樂(lè)學(xué)（聲樂(lè)表演）指導(dǎo)教師：李雙江;李詩(shī)原20090525Research on Aria of Cavity Plate of Chinese National OperaResearch on Aria of Cavity Plate of Chinese National Opera Abstract Abstrac

2、t Aria of cavity plate of Chinese national opera is the fruit of “nationalization of opera” or “ transformation western opera into Chinese form” of 20th century. It benefited from the principles of changing plate form

3、of Chinese opera, or the principle of changing beat of the performance of plate which is the most important musical character of Chinese national opera. It shows unique charm of Chinese national opera. Its enchantment co

4、mes not only from the change of the beat of the plate, but also from its rhythm. The singing of the plate is long and with the characteristic of “songs pass spectral structure of the type of music”. There are inherence c

5、onnections between different beat of the plate. The structure of cavity plate and aria are the particular musical form which best embodies the conflict among the characters in the opera. The dramatics exist in the compa

6、rison and the conflict of musical pattern from aria of cavity plate. The aria of cavity plate is the carrier of main figures and their ideology of the opera. It is also the key means of sublimation the theme of the opera