從貝多芬三首小提琴奏鳴曲看其風格的演變.pdf

1、山東師范大學(xué)碩士學(xué)位論文從貝多芬三首小提琴奏鳴曲看其風格的演變姓名：張炫申請學(xué)位級別：碩士專業(yè)：音樂學(xué)指導(dǎo)教師：宋莉莉20061118山東師范人學(xué)碩士學(xué)位論文ABSTRACTGermancomposerLudwigvanBeethoven(1770—1827)wasamajormusicalfigureoftheVienneseSchoolintheClassicalEraHemadegreatcontributionstothedev

2、elopmentofthesonataformatatimewhenitgrewmatureandproducedabundantsonataworkswhatexemplifyhisinnovationBeethoven’StroubledlifeandrestlesspersonalitywerefullydemonstratedinthesonataformThisthesisiscomposedofapreface，fourch

3、aptersandaconclusion：Theprefaceisabriefintroductionoftheresearchtopicandthecurrentstateintherelevantresearchfieldbothathomeandabroad；ChapterIprobesintothehistoricalandculturalbackgroundofBeethoven’Sviolinsonatasandpresen

4、tsasurveyofhislifeandcompositiontechniquesChapterIIcarriesoutamusicalanalysisonthreeviolinsonatasofBeethoven’s：No5No9andNo10ChapterllIexaminesthestylisticchangesofBeethoven’ScompositionsthroughthemusicalanalysisThischapt

5、eris血rtherdividedintofourparts，firstlygeneralizingtheoverallstyleofBeethoven’Scompositions；thenmakinguseofthethreeviolinsonatasselectedtoanalyzethemusicstylesofBeethoven’SearlyandmiddleperiodsatadeeperlevelThischapterfin

6、allysummarizesthestylisticchangesofBeethoven’SviolinsonatasTheconclusionelucidatesBeethoven’SomnipresentemotionalconflictsembodiedintheseviolinsonatasandreaffirmshisgreatcontributionstothesonataformThethreeviolinsonatass

7、trictlyfollowthegeneralcompositiontechniqueoftheVienneseSchoolintermsofmaterialdevelopment，keydesign，harmoniclanguageandstructuraldivisionHoweverachronologicalcomparisonamongtheseworksrevealsthatthereexistsomestylisticdi

8、fferencesinBeethoven’SearlyandmiddleperiodsTheanalysisofBeethoven’SstylisticchangesissupportedbyhistoricaldocumentssuchasmusicscoresandlettersThethreepiolinsolla[aswhichincorporateBeethoven‘Sstylisticchangesareanalyzedin