諜海風(fēng)云云波言猶在耳譎——新時(shí)期以來間諜片研究_24807.pdf

1、福建師范大學(xué)碩士學(xué)位論文諜海風(fēng)云云波言猶在耳譎新時(shí)期以來間諜片研究姓名：張楠申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：電影學(xué)指導(dǎo)教師：鄭宜庸20110525摘要AbstractLimitedtoitsowndevelopment，thereareonlyafewstudiesofspyfilmssince1980sSothispapermakesspyfilmsinthenewperiodasthestudyobjectThefirstchapterex

2、plainedthereasonofnamed“spyfilms”，thenprobedthespyfilmhaddevelopedintoagenrefilmintheoryandpracticeinChinaThenextthreechaptersprobedthecharacterspersonality，narrativemodeandviolenceaestheticsFirstly，thenewheroesarenomore

3、conceptualandstereotypedbutcarryalotofhumaneemotionandcomplicatedpersonalityTheenemyspiesarealsoshowingcomplexcharacters，andtheidentityoftheenemyisdifficuiltThecommonpersonisnotthegenrecharacterbutthecommonpersonbegantop

4、layaprominentroleinthespyfilmsin‘‘17years”Secondlythenarrativemodeinthenewperiodhasinheritedanddevelopedthenarrativemodeinthespyfilmsin“17years“whichare“shelterwithanopenenemystraggle”，“openlyandhiddenenemiesfigllring’an

5、dthemixednarrativemodeFinaUythetortureandotherviolentmeansareartisticlychangedhadbecomeanewaestheticcharacteristicsinspyfilmsSincetheculturalrevolutionended，thespyfilmshadexperiencedasIlonprosperityinthe1980s，graduallyer

6、odedinthe1990s，andrenaissanceagaininthenewcenturyWiththehistoricalchanges，thespyfilmsshouldfacetheproblemofgenrecombinedwithinnovationHowthecreatorsrespectthelawsofthegenre，andalsoplaytheauthor’ScharacterThisisaproblemof