論歌劇托斯卡的詠嘆調(diào)為藝術(shù),為愛情演唱風格的處理

1、南京航空航天大學碩士學位論文論歌劇《托斯卡》的詠嘆調(diào)《為藝術(shù),為愛情》演唱風格的處理姓名：王莉麗申請學位級別：碩士專業(yè)：音樂學指導(dǎo)教師：孫振華;謝力榮2011-03論歌劇《托斯卡》的詠嘆調(diào)《為藝術(shù)，為愛情》演唱風格的處理 iiAbstract Puccini is a great opera composer, he created opera rhyme, cassettes today. To achieve this achiev

2、ement enough to prove his strength. Opera “tosca“ as puccini's masterpieces in opera history created a have a myth. This paper opera “tosca“ aria “for art, for love“ singing style processing launched, this article st

3、udies the world famous soprano interpretation as an example to analyze and research which lead to two degrees creation in vocal music in an important role. In the introduction, this paper put forward to thesis concept i

4、s defined, and expounds the topic of the research significance, the research methods and research status of thesis concepts involved. The second chapter to analyze “tosca“ the opera is given priority to, by analyzing the

5、 creation background and purpose of writing, music style and the synopsis, which lead to the third chapter for art, for the aria of love music analysis are described. The fourth part, is contact in chapter 3 of the resul

6、ts of the analysis, the artist singing style comparative study, the paper discusses the significance of two degrees creation. Based on the above problem analysis and research can see, this article focuses on the analysis

7、 aria singing style processing is necessary, as singing in the direction of the graduate student, the postgraduate stage to do is to combining theory with practice for research.. Keywords: “Tosca“, “for art, for love“, s