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1、2300 單詞 單詞,1.3 萬英文字符 萬英文字符,4000 漢字出處:Zizi Papacharissi Ph.D, Andrew L. Mendelson Ph.D. An Exploratory Study of Reality Appeal: Uses and Gratifications of Reality TV Shows[J]. Journal of Broadcasting Kaminer, 2000; Reiss
2、 Kilborn, 1994). Moreover, the reality model could potentially empower audiences, by allowing them to participate, directly or from home, and influence the creation of media content (Dauncey, 1996; Wong, 2001). On the
3、 other hand, this potential empowerment could reinforce the commodi- fication of audiences, who not only “buy” the reality show product, but become the surveilled reality show product themselves (Andrejevic, 2002; Kilbor
4、n, 1994; Wong, 2001). Finally, the growing appeal of reality programming raises the question of distinction between real and fictional programming, especially in terms of how audi-ences perceive reality versus fiction
5、(Fetveit, 1999; Mendelson a reaction to the “sense that in our post-photographic, digitalized and ‘comic book' world everything is constructed, nothing seems ‘real'” (p. 326). Dauncey (1995) considered the empo
6、wering effect of reality TV and concluded that while reality shows modernize notions of what is considered culture, they also challenge traditional values.Empirically guided investigations of reality programming seek a
7、n understanding of how audiences use and process reality content. Specifically, Jones (2003) conducted quantitative and qualitative interviews of Big Brother fans, to determine how they ne-gotiated perceived “realness”
8、 of reality programming. She found while the narratives of such “docu-soaps” were indeed popular, the audiences were aware of the artificial-ity of the whole experience, but incorporated it to their mechanisms for deriv
9、ing plea- sure from this media genre. Engstrom and Semic (2003) examined treatment of reli- gion on reality TV programming, and found that most portrayals of religion were hegemonic, in terms of the religious ceremonies,
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