劉恒影視文學(xué)創(chuàng)作論_15971.pdf

1、分類號密級UDC編號10736碩士學(xué)位論文劉恒影視劉恒影視文學(xué)文學(xué)創(chuàng)作論創(chuàng)作論研究生姓名：名：陸金燕陸金燕指導(dǎo)教師姓名、職稱：指導(dǎo)教師姓名、職稱：邵寧寧邵寧寧教授教授專業(yè)名稱：稱：中國現(xiàn)當(dāng)代文學(xué)中國現(xiàn)當(dāng)代文學(xué)研究方向：向：當(dāng)代文學(xué)當(dāng)代文學(xué)二〇一三年五月目錄摘要..........................................................................................

2、..........................................IAbstractAbstract..............................................................................................................................IIII11緒論...........................

3、.....................................................................................................11.1研究的背景、緣起與意義......................................................................................11.2文獻(xiàn)綜述..........

4、...............................................222劉恒的影視編劇之路劉恒的影視編劇之路........................................................................................................52.1從小說家到編劇的因緣際會................................

5、.........52.2改編自己的作品...................................................62.2.1簡單移植：從《黑的雪》到《本命年》.........................62.2.2影像思維：從《伏羲伏羲》到《菊豆》.........................72.3改編他人的作品..........................................

6、.........92.3.1打亂重組：從《萬家訴訟》到《秋菊打官司》....................92.3.2真情演繹：從《尋找》到《云水謠》..........................112.3.3意蘊(yùn)擴(kuò)展：從《官司》到《集結(jié)號》..........................122.4走向原創(chuàng)........................................................132

7、.4.1親切樸實(shí)：《張思德》.......................................132.4.2真實(shí)鐵人：《鐵人》.........................................142.4.3還原體驗(yàn)：話劇《窩頭會館》................................1533劉恒影視創(chuàng)作的思想與風(fēng)格劉恒影視創(chuàng)作的思想與風(fēng)格..............................

8、............................................................17173.1主旋律基調(diào)與個(gè)體價(jià)值............................................173.1.1主旋律的別樣闡述——突破與創(chuàng)新............................173.1.2小義也大——個(gè)體生命價(jià)值的體現(xiàn)...........................

9、.173.2寫實(shí)精神與宿命色彩..............................................193.2.1現(xiàn)實(shí)生活的真實(shí)描摹........................................193.2.2無所逃遁的宿命結(jié)局........................................213.3人物形象與影視化特征................................

10、............223.3.1多元立體的人物形象........................................223.3.2劇本的影視化特征..........................................2444劉恒影視創(chuàng)作的反思劉恒影視創(chuàng)作的反思.........................................................................