淺釋室內(nèi)設(shè)計(jì)中的女性裝飾風(fēng)格外文翻譯

1、<p><b>　　畢業(yè)論文（設(shè)計(jì)）</b></p><p><b>　　外文翻譯</b></p><p>　　題 目： 淺析室內(nèi)設(shè)計(jì)中的女性裝飾風(fēng)格 </p><p>　　系部名稱： 機(jī)械工程系 專業(yè)班級(jí)： 工 設(shè)093班 </p><p>　　學(xué)生姓名

2、： 靳 青 學(xué) 號(hào)： 200906014306 </p><p>　　指導(dǎo)教師： 薛富強(qiáng) 教師職稱： 助 教 </p><p>　　2013年03月22日</p><p>　　淺釋室內(nèi)設(shè)計(jì)中的女性裝飾風(fēng)格</p><p>　　美國(guó)著名的女藝術(shù)家弗洛琳?斯蒂海默曾經(jīng)在她的

3、繪畫《家庭畫像第2號(hào)》中傳遞了一個(gè)她所鐘愛的被繁華織錦與鮮花包圍著的住所，畫面中的室內(nèi)空間和女人們以極其艷麗的姿態(tài)占據(jù)了整個(gè)視覺中心。一切正如她詩(shī)歌里描述的那樣 “韋羅內(nèi)塞綠的蕾絲緊身衣，深色花紋的長(zhǎng)裙還有針織荷葉邊，絲制珠寶盒里裝滿串串羅馬珍珠；非常喜愛的淡色水洗絲窗簾，帶有輕快羅馬條紋的緞帶，滿布花束的地毯，塞夫爾瓷花瓶和鍍金飾邊的桌子上灑滿清晨的光輝；母親為我們朗讀的童話故事，還有花園繁華盛開和梅拉德的甜點(diǎn)和沃爾特?迪斯尼的卡通…

4、…”在這些文字里，跳躍性的細(xì)節(jié)描述和純感官的認(rèn)知特征解讀了女性的感知體驗(yàn)特性，而所敘述的鮮花、織物、擺設(shè)、童話正是女性對(duì)于家的最溫柔、最甜美的期待，這所有的一切也都是女性裝飾風(fēng)格最完美的詮釋。</p><p>　　古往今來(lái)由于女性特殊的生理本能，女性風(fēng)格的裝飾藝術(shù)在歷史上一直占有很大的市場(chǎng)空間，尤其是十七至十八世紀(jì)在意大利文藝復(fù)興發(fā)展起來(lái)的具有強(qiáng)烈女性特征的巴洛克藝術(shù)(BAROQNE ART)裝飾風(fēng)格更是風(fēng)靡和影

5、響了整個(gè)歐洲，其藝術(shù)語(yǔ)言多少的影響了緊跟其后的是新藝術(shù)運(yùn)動(dòng)的產(chǎn)生與發(fā)展。然而，作為一種愛好和時(shí)尚風(fēng)格，巴洛克也只局限在奢華的宮廷和達(dá)官貴人的居室裝飾中流行，裝飾風(fēng)格的概念局限了，從而與女性裝飾風(fēng)格的內(nèi)涵上產(chǎn)生了偏離。</p><p>　　今天，社會(huì)經(jīng)濟(jì)飛速發(fā)展，女性的地位也因其教育和收入水平的提高達(dá)到了一個(gè)相對(duì)合理的高度，一個(gè)嶄新的女性話語(yǔ)世界正在全面構(gòu)建。就如人類學(xué)家海倫費(fèi)希認(rèn)為的那樣，21世紀(jì)的女性將是 “第

6、一性”。 由于她們的介入，直接或間接地影響了現(xiàn)代的審美意識(shí)和消費(fèi)觀，一種獨(dú)特的以女性為代表的消費(fèi)文化和審美思潮正潛移默化的流行于時(shí)尚消費(fèi)層。這就是我們稱之為“她”時(shí)代的女性消費(fèi)文化，依照國(guó)際廣告協(xié)會(huì)主席卡波爾對(duì)“她”時(shí)代的內(nèi)涵的解釋：“今天，以男性為主的消費(fèi)主義正在向以女性為中心的消費(fèi)主義平衡。”女性意識(shí)的設(shè)計(jì)也越來(lái)越占上風(fēng)，甚至有學(xué)者將女性設(shè)計(jì)意識(shí)作為人性化設(shè)計(jì)的體現(xiàn)。預(yù)言世界的“她”時(shí)代已經(jīng)到來(lái)。</p><p&

7、gt;　　一、女性裝飾風(fēng)格的科學(xué)性</p><p>　　室內(nèi)設(shè)計(jì)中突現(xiàn)的女性文化現(xiàn)象并不緣自對(duì)女性平等追求的呼聲和善意的尊重，這里有著更多客觀的因素。國(guó)外的科學(xué)家們通過測(cè)試研究發(fā)現(xiàn)，女性身體器官構(gòu)造比男性更為復(fù)雜，由此導(dǎo)致女性的植物神經(jīng)系統(tǒng)發(fā)達(dá)，女性的觸覺、味覺、視覺和聽覺反應(yīng)大都比男性敏感，情感表現(xiàn)更為明顯和細(xì)膩。有調(diào)查報(bào)告顯示，現(xiàn)今女性出于各種原因，對(duì)建筑、室內(nèi)空間和裝飾藝術(shù)的喜惡態(tài)度上比男性反應(yīng)的更為分明而

8、堅(jiān)決，在需求態(tài)度上更為積極而有主見。同時(shí)，就心理特征分析比較，男性是外向的，女性多表現(xiàn)含蓄；男性是公眾性的，女性則偏向私密；男性是理性化的，而女性細(xì)膩感性；男性體現(xiàn)剛強(qiáng)，女性展示柔美；男性是社會(huì)性的，而女性更多體現(xiàn)為自然性。因此，以女主人的眼光來(lái)決定家裝風(fēng)格更能營(yíng)造和諧的家庭環(huán)境。在這種實(shí)際需求的影響下，女性風(fēng)格應(yīng)運(yùn)而生。</p><p>　　二、室內(nèi)裝飾中女性裝飾設(shè)計(jì)的表現(xiàn)</p><p&g

9、t;　　“女人心，海底針”是一句耳熟能詳?shù)睦显挘鋵?shí)，女性的行為與其生理構(gòu)造互為表里，具有一定的共通性和規(guī)律性。通過對(duì)女性生理、心理以及社會(huì)歷史原因的分析，不難發(fā)現(xiàn)以下幾個(gè)方面的特征深刻的影響著女性裝飾的風(fēng)格。</p><p>　　1、女性生理所具有的敏感和善變因素</p><p>　　從生理心理學(xué)角度來(lái)看，女性生理平衡不斷發(fā)生變化的周期性生殖循環(huán)使得她們雖強(qiáng)于觀察體會(huì)、感受敏銳但卻不擅于

10、保持長(zhǎng)久的精力集中與情緒的穩(wěn)定。這些都不是女性主觀的選擇而是與生俱來(lái)的特性。因此她們因?yàn)樵谏钪邪l(fā)生問題或?qū)徝榔诙３０亚榫w發(fā)泄轉(zhuǎn)換給周邊的事物，對(duì)居室環(huán)境空間裝飾作不定期的改換與室內(nèi)陳設(shè)不斷的以舊換新。這種特性，決定了風(fēng)行一度的傳統(tǒng)務(wù)實(shí)的的固定式實(shí)木家具為裝飾主體的裝修手段逐漸被淘汰，活動(dòng)式、便攜式家具和易更換的軟性裝飾材料將成為設(shè)計(jì)的主流。</p><p>　　2、女性的神秘主義傾向</p>

11、<p>　　從人類起源開始，無(wú)論處于被崇拜還是被壓迫地位，女性與宗教巫蠱仿佛有著千絲萬(wàn)縷的聯(lián)系。毫無(wú)疑問，女性比男性迷信，女性由于長(zhǎng)期的弱勢(shì)使她們更需要找尋心理的安定和依靠。而女性與自然天生的息息相關(guān)使得她們更能夠感悟其中不可名狀的神秘性，而感性先于理性的思維方式讓她們更愿意以“心”而非“腦”去理解一切玄異。因此，她們易于受到神學(xué)與宗教的影響。拋開理論研究的結(jié)論，我們?cè)诂F(xiàn)實(shí)生活中也可以很容易的發(fā)現(xiàn)，女人更樂于鉆研星座，重視風(fēng)水

12、，相信命運(yùn)。因此在室內(nèi)設(shè)計(jì)中，不用說(shuō)她們更喜歡采用一些有宗教意象或自然氣息很濃的裝飾物（圖3），也很樂 意接受關(guān)于納吉避兇的建議。這些都是她們追求安定幸福生活的地愿望的體現(xiàn)。</p><p>　　3、女性的身體健康需求</p><p>　　在這個(gè)講求生活品質(zhì)的年代.健康正成為人們?cè)絹?lái)越重視的話題。由于女性的生理構(gòu)造遠(yuǎn)比男性復(fù)雜，因此受到疾病侵害的可能性和衰老的速度大大高于男性。相比從前為悅

13、己者容，現(xiàn)代女性更樂于用有情調(diào)的生活善待自己。她們閱讀美容書籍，烹調(diào)養(yǎng)顏食品，參與健身訓(xùn)練，購(gòu)買化妝用品，添置時(shí)尚衣飾，一切的一切只緣于對(duì)青春與健康的愛惜。此外，越來(lái)越多的女性向男性一樣走向了職業(yè)的舞臺(tái)進(jìn)行公平競(jìng)爭(zhēng)，為了工作的需要，她們花費(fèi)更多的精力與時(shí)間在超市購(gòu)物，商場(chǎng)血拼，在居室烹飪美食，在咖啡廳里享受細(xì)心暢談的樂趣，在旅行的酒店里感受大自然給予的快樂時(shí)光，在健身房里體驗(yàn)流汗的舒暢……，種種跡象證明設(shè)計(jì)中必須充分滿足這些需求，為女性

14、消費(fèi)者營(yíng)造自我關(guān)照的需求空間。</p><p>　　4、女性的“洛麗塔”公主情結(jié)</p><p>　　“新性感主義”是當(dāng)今女性時(shí)尚界最流行的話題，洛麗塔式的天真性感一派無(wú)疑是其中最具誘惑力的?，F(xiàn)實(shí)生活中的男性往往需要在情感中超越年齡對(duì)自己的束縛，體驗(yàn)著長(zhǎng)輩、哥哥和情人相互混雜的角色。女性則通過與比自己年長(zhǎng)許多的男性們交往，享受著一種永遠(yuǎn)的依靠與信賴。具有洛麗塔情結(jié)的女人樂意“以小博大”，借

15、著天真幼稚包裹成熟，扮演著被支配的主角，從而獲得依賴和安全感。近年來(lái)在服裝界掀起的韓流就是一個(gè)很好的例證，小圓領(lǐng)、公主袖、蕾絲掐邊、玩具熊造型的耳環(huán)和項(xiàng)鏈，以及各類粉色系布料等不同元素相互組合，從嫻靜中透著活潑，于優(yōu)雅處展露純情。這種風(fēng)格受到一個(gè)年齡跨度很大的女性階層的喜愛。同樣在家居裝飾中，明艷的墻壁，色彩濃烈的團(tuán)花地毯，綴有花草藤蔓圖案的裝飾拒，玻璃雕花屏風(fēng)，斷斷續(xù)續(xù)墜落的流蘇燈飾，綴滿亮片、珠珠的靠墊，鏤空的紗質(zhì)窗簾等飾品以及富有

16、夸張色彩的裝飾物仿佛呵護(hù)了女性小公主似的童心，隨著新性感潮流風(fēng)行在時(shí)尚家庭中。</p><p>　　三、居家中女性裝飾風(fēng)的主要特征</p><p>　　就像美國(guó)藝術(shù)家弗洛琳?斯蒂海默所描繪場(chǎng)景一樣，正是女性在童年時(shí)代。家的最甜美的期待，以及兒時(shí)沉醉于王子公主美妙的童話世界里帶來(lái)最最美好的回憶，因此或多或少都會(huì)誘發(fā)女性最溫柔、最美好的一面，也是女性裝飾風(fēng)格最完美的詮釋。不同于男性，女性幾乎是

17、一種情緒化的動(dòng)物，內(nèi)心的纖細(xì)與敏感使她們除了要求空間有基本的實(shí)用功能之外更為注重自身與空間中所蘊(yùn)涵的情緒、文化的精神交流，更在意家庭氛圍的營(yíng)造。因此重裝飾輕裝修是女性裝飾風(fēng)格不變的定位，柔性主題是設(shè)計(jì)的重點(diǎn)。</p><p><b>　　柔性材料的大量運(yùn)用</b></p><p>　　布藝是女性裝飾風(fēng)格中用的最多的一種元素，它不但能從實(shí)用性上滿足女性需求，在很大程度上

18、甚至是女性氣質(zhì)的物化品。從窗簾、紗、慢、床上用品、布藝沙發(fā)到地毯、壁掛，無(wú)論是嗅覺、味覺還是觸覺，無(wú)不透著女性的柔情和溫馨。布藝品總是以它特有的圖案和柔軟的質(zhì)感，呈現(xiàn)在居室空間內(nèi)，起著聯(lián)系家具與人之間的紐帶和模糊空間的劃分作用，體現(xiàn)著物的人性化，彌補(bǔ)了室內(nèi)現(xiàn)代建筑中大量使用鋼筋、水泥、玻璃等硬性材料所帶來(lái)的冷漠感;進(jìn)而，也滿足了人們渴望寧?kù)o和向往自然與溫馨的需要。并且，布藝雖然依附于硬裝修器物之上屬于從屬地位，但卻能以柔克剛的決定整個(gè)裝

19、修風(fēng)格，這正是當(dāng)今女性家庭角色的最佳詮釋。</p><p><b>　　粉色系列的色彩</b></p><p>　　顏色溫暖、手感舒適，帶有個(gè)性化的裝飾材料，成為當(dāng)代女性裝飾選材的重要選擇傾向。甜甜蜜蜜的色彩是女性感性的特征，近年來(lái)流行的粉色、粉藍(lán)色、粉綠色，這些帶有透明感覺和糖果感覺的色彩逐漸在女性室內(nèi)環(huán)境中流行開來(lái)。甜蜜的顏色多用于窗簾、隔斷用的帷幕、床上用品、桌

20、布、椅墊等，柔性色彩營(yíng)造一個(gè)甜蜜的生活氛圍，帶給人一天工作后的放松。由于女性裝修和裝飾對(duì)個(gè)性化材質(zhì)的需求，符合女性審美風(fēng)格的材料在市場(chǎng)上越來(lái)越受到歡迎。</p><p><b>　　曲線造型的圖案</b></p><p>　　女人如花似水，在室內(nèi)女性風(fēng)格裝飾中，花鳥和魚水的主題都是最鮮明的特征。無(wú)論是織物器皿上的圖案還是家具墻體中的曲線造型，無(wú)論是地面上的圖案還是天花

21、板上吊頂?shù)臉邮?，都是營(yíng)造女性氛圍的最佳元素。 </p><p>　　女性風(fēng)格的室內(nèi)裝飾紋樣擁有與時(shí)代符合的雍容、柔美之感。一方面，曲線的形態(tài)是受外界支配的線形，外界壓力的大小可以使線形發(fā)生變形，產(chǎn)生出豐滿、優(yōu)雅、柔軟、和諧等審美特點(diǎn),而許多卷草紋、纏枝花紋等正是利用流動(dòng)的曲線創(chuàng)造了層層疊疊、圓潤(rùn)飽滿的藝術(shù)效果，突現(xiàn)女性的魅力。另一方面，從紋樣構(gòu)圖結(jié)構(gòu)來(lái)看柔性紋樣生動(dòng)變化中尋求一種規(guī)范，布局由緊密變得更開朗，形態(tài)有

22、概括有寫實(shí)。不管是飽滿的團(tuán)花組合方式，還是散花和小折枝花都或含苞欲放，或蓓蕾初綻，或昂首怒放，姿態(tài)各異，花草鳥蝶，富于民俗趣味；情愛祥瑞，表達(dá)美好愿景；運(yùn)動(dòng)舞蹈，描畫日常生活蟲鳥相嘻，鸚鵡雙追， 則傳第出一種韻味十足的女性的自然景象。</p><p><b>　　無(wú)處不在的鏡面空間</b></p><p>　　曾經(jīng)有男性慨言：女人不能五分鐘不照鏡子。這個(gè)論斷有點(diǎn)夸張但

23、可以肯定的是女性在意自己的外表，樂于欣賞自己的體態(tài)。基于這個(gè)原因，在女性主義裝飾中必須重視鏡子的擺設(shè)和照明的計(jì)算，通過科學(xué)設(shè)計(jì)的鏡子可以幫助女性增長(zhǎng)自信，增添動(dòng)力。另外，玻璃材料營(yíng)造出的奕奕發(fā)光的鏡空間也同樣暗示著女性的珠光寶氣。</p><p>　　時(shí)隨鏡遷，新女性風(fēng)格的裝飾讓室內(nèi)私人空間成為了女主人的衍生體，一個(gè)既充滿活力，有具有柔美細(xì)膩新新女性風(fēng)格的公共場(chǎng)所，同樣會(huì)使工作壓力繁重的男人們心中充滿生機(jī)和活力。

24、現(xiàn)今，以女性特有的溫暖細(xì)致營(yíng)造著時(shí)尚溫馨的室內(nèi)氛圍，已經(jīng)成為一種風(fēng)尚。</p><p>　　本文摘譯自“www.ciid.com.cn”</p><p>　　A Brief Analysis to the Interior Design of Shallow Women Adornment Style</p><p>　　American women artists

25、 Fu Luolin ? Sidihaimo had her painting "Family Portrait No. 2" in the transfer of one of her favorite flowers are surrounded by busy tapestry and home picture of the interior space and a woman are very beautif

26、ul gesture to occupy the entire visual center. All as she describes the poems as "Veronese green lace corset, dark patterned skirt are knitted lotus leaf, silk jewelry boxes filled with strings of pearls Rome; very

27、favorite pale washed silk curtains, striped ribbon wi</p><p>　　Ages as women unique physiological instinct, women style of decorative arts in history have been enjoying a large market space, especially from

28、17 to 18 century Renaissance in Italy developed a strong female characteristics of Baroque art (BAROQNE ART ) is popular decorative style and affects the whole of Europe, how much of their artistic language was closely f

29、ollowed by the emergence of new art movement and development. However, as a hobby and fashion style, the Baroque is also confined to the</p><p>　　Today, the rapid socio-economic development, women status bec

30、ause of their education and income levels increased to a relatively reasonable height, a new women discourse in the world is in full construction. As anthropologists Hailunfeixi that, as women in the 21st century would b

31、e "primary." Because of their involvement, directly or indirectly affect the aesthetic awareness and consumption of modern concept, a unique women-representatives of consumer culture and popular aesthetic thoug

32、hts are s</p><p>　　First, the scientific nature of female Deco </p><p>　　Interior Design emergent cultural phenomenon of women is not originated from the pursuit of equality for women voices and

33、 the respect of goodwill, here have a more objective factors. Foreign scientists test found that the female body organs and structures more complex compared with men, which led to development of women autonomic nervous s

34、ystem, women sense of touch, taste, visual and auditory reactions, better than men, sensitive, emotional performance in a more visible and fine. A survey repor</p><p>　　Second, interior decoration design per

35、formance of female </p><p>　　"The heart of woman, submarine-pin" is a familiar old saying, in fact, women behavior and physical structure interacts with a certain degree of commonality and regulari

36、ty. On female physiology, psychology and the analysis of social and historical reasons, not difficult to find the following aspects of the characteristics of a profound impact on women decorative style.</p><p&

37、gt;　　1, female physical sensitivity and volatility of the factors that have </p><p>　　Physiological psychology from the point of view, women are changing physiological balance of the reproductive cycle of th

38、e cyclical while making them stronger and observe and understand and feel the acute but not good at maintaining long-term focus and emotional stability. These are not an option for female subjectivity inherent characteri

39、stics. Therefore, because of their problems in life or Shenmeipilao and often emotional venting conversion to the peripheral things, on the indoor environment </p><p>　　2, women mystical tendencies</p>

40、<p>　　Starting from the origin of man, whether in worship or oppressed by the status of women and religious Witchcraft seems inextricably linked. There is no doubt that more women than men superstition, women make

41、 them vulnerable because the long-term psychological need to find stability and rely on. The women and nature are closely related to natural sentiment which makes them more capable of indescribable mystery, and emotional

42、 and rational way of thinking ahead so that they are more willing to "hea</p><p>　　3, women health needs </p><p>　　In this era of emphasis on quality of life. Health is becoming a topic of

43、growing importance. As the physical structure of women than for men complex, the possibility of abuse by disease and aging much faster than men. Wyatt has been compared to those who formerly Yang, modern women are more w

44、illing to treat with a flavor of life itself. They read books on beauty, cooking, beauty foods, participate in fitness training, purchase of cosmetic products, purchase fashionable clothing, and everything </p>&l

45、t;p>　　4, women "Lolita" Princess Complex </p><p>　　"New sexy doctrine" is today the most popular women fashion industry topics, Lolita-style innocence sexy faction is undoubtedly the m

46、ost tempting. Real-life emotions in men often need to go beyond the shackles of age on their own experience with elders, brothers and lovers mixed with each other's role. Females with much older men than their own co

47、ntacts, and enjoy a kind of forever rely on and trust. Happy woman with Lolita Complex "leverage", wrapped by naive mature protagonist of being dominat</p><p>　　Third, home decoration in the style

48、of the main characteristics of women </p><p>　　As American artists Fu Luolin ? Sidihaimo scene depicted, as is the woman home in childhood on the expectations of the most sweet and wonderful childhood immers

49、ed in the prince and princess fairy tale world to bring far the most beautiful memories, Therefore, inducing more or less the most gentle of women, most beautiful side of women decorative style is the most perfect interp

50、retation. Unlike men, women almost an emotional animal, the inner thin and sensitive so that they not only seek to space</p><p>　　1, extensive use of soft materials </p><p>　　Fabric is a decorat

51、ive style used in most women, an element not only to meet women on the demand from the utility, to a large extent even feminine physical and chemical products. From curtains, yarn, slow, bedding, cloth sofa to the carpet

52、, wall, whether it is the sense of smell, taste or touch, without exception, reveals a woman's tenderness and warmth . Cloth products are always unique design and its soft texture, showing the room space, furniture a

53、nd play a contact link and blur between the r</p><p>　　2, the color pink series</p><p>　　Color a warm, comfortable, with a personalized decoration materials, a selection of important contemporar

54、y female choice decorative tendency. Sweet sweet honey color characteristics of female sensibility, popular in recent years, pink, powder blue, light green, the candy with a transparent feeling and sense of color gradual

55、ly women became popular indoor environment . Sweet colors are used for curtains, with curtain partition, bedding, tablecloths, cushions, soft colors create an atmosphere of sw</p><p>　　3, curve modeling patt

56、ern </p><p>　　Woman flower like water, in the female style interior decoration, the theme of flowers, birds and fish and water are the most distinctive features. Whether or fabric pattern on the vessel wall

57、in the curve shape of furniture, both on the ground or ceiling ceiling design styles, all the best elements to create an atmosphere of women (Figure 8). </p><p>　　Women have a style of interior decoration pa

58、tterns consistent with the age of grace, soft feeling. On the one hand, the curve shape is dominated by the external linear, external pressure can make the size of linear deformation, resulting in a full, elegant, soft,

59、harmonious and other aesthetic features, and many curly grass lines, patterns and so is the use of mobile Interlocking creating layers of the curve, round and full of artistic effects, emergence of women charm. On the ot

60、her hand, the st</p><p>　　4, everywhere in the mirror space </p><p>　　There was male generous words: women can not look in the mirror for five minutes. This thesis a bit exaggerated, but it is c

61、ertain that women care about their appearance, willing to enjoy their own body. For this reason, feminists must pay attention to the decoration of furnishings and lighting mirrors the calculation, through scientific desi

62、gn of the mirror can help women to increase self-confidence and impetus. In addition, the glass materials to create mirrors out to absolutely luminous space</p><p>　　Time to move with the environment, the ne

63、w women style of interior decoration for private space to become the mistress of the derivative, one on both dynamic and has a soft delicate new style of women in public places, the same man who would work pressure heavy