ui設計理念的接受美學闡釋——以扁平化設計風格為例

1、 碩士學位論文 論文題目：UI 設計理念的接受美學闡釋—— 以扁平化設計風格為例 作者姓名 作者姓名 王 佳 指導教師 指導教師 呂月米 呂月米 學科專業(yè) 學科專業(yè) 新聞傳播學 新聞傳播學 所在學院 所在學院 人文學院 人文學院 提交日期 提交日期 2015 年 11 月II MODE OF UI DESI

2、GN FORM THE ANGLE OF RECEPTION AESTHETICS——WITH EXEMPLE OF FLAT DESIGN ABSTRACT UI （User Interface） Design sets off under circumstance surrounded by the growth of internet. It is the mode of design that taking fictitious

3、 images and signals as intermediary to illicit communication between human beings and technologic machines, which is deemed as part of Interaction Design. UI Design focuses on progress of visual communication on fictitio

4、us stage （Abstract visual symbols） , as well as development of human nature on contacting with machines. During the process that begins from designing and flow to the audience, those participants circle within the mode o

5、f “designer-works-audience”, being similar to the relation of “author-writings-readers”, the dominant stage that Reception Aesthetics concentrates on. Reception Aesthetics was established in 1960s, being a branch of Aest

6、hetics theory, it highlights audience’s subjective activities, placing them as the creator of beauty, being equal to the significance of authors. Based on the intercommunity between Reception Aesthetics and process of UI

7、 design, now we try to quote Jauss and Iser’s theory, which reflects the most representative angle of the theory of Reception Aesthetics, to express mode of UI design. Our research would amplify the stage that Reception

8、Aesthetics used to aim at. It may help to introduce the theory to UI design, so that Reception Aesthetics could be extended from study of literature. Reception Aesthetics takes it seriously to satisfy audience’s experien