情感與理智作為批評(píng)的兩級(jí)——論李長(zhǎng)之的文藝批評(píng)

1、汕頭大學(xué)碩士學(xué)位論文情感與理智:作為批評(píng)的兩級(jí)——論李長(zhǎng)之的文藝批評(píng)姓名：胡華為申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：@指導(dǎo)教師：王富仁2010IIABSTRACT ABSTRACTThe study of Li Changzhi’s literature criticism in the present age has been gradually paidattention to. Li Changzhi calls for emotion an

2、d emphasizes that emotion can effect human’s lifeand literature. Besides, he presents the core of emotion in his own poetic theory. As a matter offact, the previous critiques illustrated Li Changzhi’s literature criticis

3、m especially on theperspective of emotion. And the previous critical experts did not focus on the important status ofintellect in Li Changzhi’s literature criticism. This paper combines Li Changzhi’s literatureconception

4、, ideal personality, and peotic theory and critical requirement together in terms ofemotion and intellect as an inner clue in this paper. As a result, it proves that Li Changezhi is aliterature critic who treats emotion

5、and intellect equally in his critical theory. The paper is mainlydivided into four chapters.Chapter One examines the illustration of literature by Li Changezhi. Li Changzhi finds thatthere are similarities between Chines

6、e culture and western culture in terms of cultural comparisonbetween China and western countries. He also realizes that there is superficiality in The May 4thMovement by the comparison between the ancient culture and tod

7、ay’s culture. In addition, headvocates we can realize the conception of China’s Renaissance by the aesthetics in Chineseancient culture.Chapter Two represents Li Changzhi’s ideal personality. Through Li Changzhi’s illust

8、rationof romance and classic and comparison of aesthetic personality between Confucius and Qu Yuan,they prove that Li Changzhi’s ideal personality is going to be a classical romanticist.Chapter Three studies Li Changzhi’

9、s critical method and his main poetic theory. LiChangzhi’s main methodologies are focusing on experience of emotion and illustrating writers’inner world deeply. Besides, the core of emotion in his poetic theory is explai

10、ned in this chapter.Chapter Four focuses on Li Changzhi’s requirements for literature critics and literaturecriticism. He calls for taking our own action to promote the scientific development of Chineseliterature critici

11、sm. And he requires that critics should have dependent personality and realize therigidity of intellect in criticism. As a result, Chinese literature criticism can develop well.Key word Key word: literature, emotion, rea