印痕中的“水墨情結(jié)”——析畢業(yè)創(chuàng)作版畫風景對話系列

1、 碩士專業(yè)學位論文 論文題目 印痕中的“水墨情結(jié)” ——析畢業(yè)創(chuàng)作版畫《風景對話系列》 研 究 生 姓 名 周 立 指導教師姓名 張?zhí)煨?專 業(yè) 名 稱 版畫 研 究 方 向 美術(shù)學 論文提交日期 2012 年 9 月 Research on the origin of Suzhou woodcut printby water-soluable ink Abstract IIResearch on the origin

2、of Suzhou woodcut printby water-soluable ink Abstract Printmaking is a stress -prints aesthetic art , and other types of art , to follow the changes of the times and changing from the ancient prints by engraved illustrat

3、ions to the novels of the Ming and Qing Dynasties , to the Mustard Seed Garden Huapu ; horse from the folk paper to the various customs of New Year pictures to today has the character of independent art works of graphic

4、art , as an important artistic language features prints , with the unique beauty of the brush can not be replaced . Prints creators , and how the the prints this printmaking body language in the most infectious form full

5、y play out .Aptly express the artists of the times , think and review of the social and cultural proposition is worth a lifetime thinking and explore . Article by Chinese traditional wood engravings of the generation and

6、 development and modern Western Copper engraving , stone engraving prints research , analysis Chinese prints of Ink prints the complex study of modern printmaking art law to their own graduation creation Ink prints explo

7、ration experience to “ Ink Complex “ on the need for the development of modern Chinese prints . As far as I'm concerned , Ink complex of traditional Chinese painting and printmaking unique imprint visual effects for