簡(jiǎn)介：重慶大學(xué)碩士學(xué)位論文電視調(diào)查性報(bào)道的媒介藝術(shù)特征分析以央視新聞?wù){(diào)查為例姓名李華申請(qǐng)學(xué)位級(jí)別碩士專業(yè)廣播電視藝術(shù)學(xué)指導(dǎo)教師楊尚鴻20090601ABSTRACTINVESTIGATIVER印ORTINGISALINDOFAUMORITA【TIVEREVEALINGRELORTINGFOMW11ICHREPORTERSINVESTIGATEMOMU礎(chǔ)Y趾DSYSTENLATICALLYFORME腳OSEOFREVEALINGME肌MBEC卸SEOFTLLE緲ATERINNUENCE，ITAJWAYSPARTICIPATESIILPOLITICS，OBSERVESSOCIE哆ANDKE印SWATCHOVERTHESOCIE毋1’11IS妯1DOFREPONINGBECOMES趾IMPOMMTFOMOFNEWSREPONING乒ADUALLY，WILICHHAVEBECOMEASIMPO舳T嬲INTEQPRETIVEREPORTING，OBJECTIVEREPORTINGARLDO場(chǎng)ECTIVER印ONING，NOTOLLLYIILC11II塢BIITIN、ⅣESTEMCOUNL矗ES嬲、ⅣE11TLLISANICLETAL【ESNLE’Ⅳ證VESTIGATIONREPORT嬲THEOBJECTOF咖DY，觚DFOCUSESONME跚PERIORI鑼“S刪MTINGMEDIAISUILABLET0COMPAREWILICHITSUSEOFTLLESEEINGANDHEARINGLALLGUAGE，F(xiàn)INALLY，IDISCOVEREDTHATTELEVISIONISMEDI啪ARTCHARAC鋤STICIS恤ILLLPORT鋤TA嘶BUTEWHICHT11ETVINVESTIGATIONREPORTOBTAJNSSUCCESS11LEAUTLLORTAL【ESNEWSPMBEWMCHCONSIDEREDTLLEMOSTSUCCESS如LTVINVESTIGATIONR印ORTIILCLLI】唿0FCOLUNMCCTVASACASE，LLSES吐LEOVERL印PING觚GLEVIEWOFINVESTIGATIVEREPONINGBET、ⅣEENJOURNALISMTHEO巧觚DTHEBMADCALSTTELEVISIONART吣T0A砌YZESYST鋤ATICALLYHOWT0向1LYEXCAVATEANDUTILIZETELEVISIONMEDIUMCHARACTERISTIC趾DSEEINGARLDHEARINGLAILGUAGEART雒T0COMPLETCSTLLETVIIⅣESTIGATIONRCPORTWMCHITSTELEVISIONPROGRAMBECOMEMOREAILDMOREIMPORT觚T丘。OMT11E弱PECTSOFLENS1A119UAGE，REALISTICAESMETICS，JO啪ALISTONC鋤E地NARRATLVE砒KQ唧ORDSTVINVESTIGATIVEREPORTIILG，TELEVISIONMEDIUMCHARACTERISTIC，TELEVISIONARTⅡ

簡(jiǎn)介：東北師范大學(xué)碩士學(xué)位論文東北電視藝術(shù)中的本土化性格內(nèi)涵姓名王繼陽(yáng)申請(qǐng)學(xué)位級(jí)別碩士專業(yè)廣播電視藝術(shù)學(xué)指導(dǎo)教師王以寧20061001ABSTRACTWITHTHEDEVELOPMENTOFTVARTINCHINA,THETVARTOFNORNLEASTHAVEGROWNUPASORTOFSPECIALARTFORM．ANDITBECOMEVERYFAMOUSINTHEWHOLECOUNTRY,THEORIGINOFTVARTOFNORTHEASTIS“ERENZHUAN’．ATRADITIONALFOLL【ANPOPULATINGINTHISREGION．MANYTELEPLAYSANDTVPROGRAMSATEBECOMINGPOPULARALLOVERTHECOUNTRY．SUCHAS，，，，．THESETELEPLAYSARESOAMUSINGTHATAUDIENCERATINGSGETUPTOHIGHVERYQUICKLY．THEVIEWPOINTOFPAPERTHINKSTHATTHETVARTOFNORTHEASTPRESENTSSPECIALCULTUREOFREGION．ANDTHECULTUREISCREATEDBYCHARACTERSOFNORTHEASTEMER．ITISCOMPOSEDBYTHEMULTIRACIALCULTURE,THESPECIALSITUATIONANDTHEEXTRAORDINARYHISTORY．WITHTHEESPECIALCHARACTER,THETVARTOFNORTHEASTISDEVELOPING．SOMANYHUMORISTICTELEPLAYSARECREATED．BECAUSEITBASEDONTHELOCALARTFORM，THETRADITIONALARTOFNORTHEASTISACCEPTEDBYMOREANDMOREPEOPLE．INTHEFUTURE，THETVARTOFNORTHEASTWILL曲TAINMOLEACHIEVEMENTSANDDEVELOPMENTS．KEYWORDSTVARTOFNORTHEAST一LOCALCULTURECHARACTERIL

簡(jiǎn)介：R7717S5學(xué)校代碼10246學(xué)號(hào)012013054論作為失眾媒介的電影電視一兼論電影電視分級(jí)制院系所新聞學(xué)院專姓業(yè)名新聞學(xué)潘帆指導(dǎo)教師黃芝曉教授完成日期2004年9月30日文學(xué)論大位曰一繁飯士頂ABSTRACTWITHTHEINTENSIFICATIONOFGLOBALIZATIONANDTHEFORMINGOFGLOBALLYUNIFIEDCULTURALMARKET，REGARDEDASDAILYINFORMATIONSOURCEANDAMUSEMENTTOOLATFIRSTMOVIE＆TVBECOMESTHEIDEOLOGYTOOLTHATDIRECTSPUBLICOPINIONSANDPERMEATESVALUESDAYBYDAYTHISTEXTSTARTSWITHTHECONCEPTOFGLOBALIZATIONANDDISCUSSITSIMPACTONBOTHCULTUREANDMOVIE＆TVINDUSTRYANDTHENINTERMSOFMASSCOMMUNICATIONTHEORIES，THISTEXTPROBESINTOHOWTHEWESTERNMOVIE＆TVINDUSTRYREALIZEITSMEDIAHEGEMONYUNDERTHEBACKGROUNDOFINDUSTRIALIZATIONANDGLOBALIZATIONTHISTEXTALSOSTUDIESCURRENTSITUATIONANDTHEDEVELOPMENTOFOURMOVIE＆TVINDUSTRY，ANDAPPROACHESTOSONICFUNCTIONALLYDEFECTSANDSOMEQUESTIONSINBASICCONSTRUCTIONINOURPAOVIE＆‘FVINDUSTRYKEY、、’ORDSGLOBALIZATION，MASSMEDIA，MEDIALLCGEMONY，CLASSIFICATIONSYSTEMOFMOVIE＆TV2

簡(jiǎn)介：THERESEARCHOFINTERVIEWMETHODWHICHBASEONCOLUMNRIZATIONTVPROGRAMTAKEVISITINGGRASSROOTSUNIT“，S_RTLIFE“，”VISITAGAIN“ASCASEADISSERTATIONSUBMITTEDFORTHEDEGREEOFMASTERCANDIDATEYAOYANNASUPERVISORGAOHONGMINGCOLLEGEOFMATHEMATICSSCIENCESHANGHAINORMALUNIVERSITY，SHANGHAI，CHINAAPRIL2012摘要最早的記者獲取信息主要靠的是文獻(xiàn)和公共演講。在美國(guó)報(bào)業(yè)近300年的歷史中，采訪只是新晉的發(fā)明，但它的作用卻日益凸顯。自從有了電視采訪，訪談的內(nèi)容越來(lái)越成為一檔電視節(jié)目的精髓，訪談的內(nèi)容因?yàn)楦诱鎸?shí)、客觀，所以更具有說(shuō)服力，是絕大多數(shù)節(jié)目重點(diǎn)呈現(xiàn)的部分。無(wú)論是新聞采訪類、文化娛樂(lè)類、文獻(xiàn)紀(jì)實(shí)類的訪談節(jié)目，都離不開(kāi)訪談內(nèi)容，雖然最初這種方式并沒(méi)受到應(yīng)有的重視，但據(jù)可靠統(tǒng)計(jì)，記者掌握的信息中，有75％一80％都來(lái)自采訪。訪談方法在不斷演進(jìn)，隨著電視節(jié)目的頻道化、欄目化，各個(gè)不同的節(jié)目類型、形式也相對(duì)固定化，模式化，訪談也因不同類型的欄日產(chǎn)生不同方法，呈現(xiàn)出不同的特點(diǎn)。因此，基于不同類型欄目的特點(diǎn)，研究一些有針對(duì)性的訪談方法具有一定的實(shí)用價(jià)值。本論文以近年比較熱門的“欄目化”電視節(jié)目中的訪談方法為研究對(duì)象。以新春走基層、藝術(shù)人生、重訪為例，分別從新聞紀(jì)實(shí)類、文化娛樂(lè)類、歷史文獻(xiàn)類三個(gè)類型進(jìn)行特點(diǎn)分析。以三個(gè)欄目化的電視節(jié)目的經(jīng)典視頻為研究對(duì)象，首先分析三類欄目化電視節(jié)目的特點(diǎn)，針對(duì)各自的類型，以其中訪談的方法為研究?jī)?nèi)容和目標(biāo)，選取成功采訪案例進(jìn)行研究借鑒，對(duì)相對(duì)失敗的采訪案例進(jìn)行指正和批判。根據(jù)不同欄目的訪談節(jié)目的訪談特點(diǎn)，總結(jié)出通用型訪談方法和特殊針對(duì)性的訪談方法。以供新聞?dòng)浾?、訪談?wù)摺⒅鞒秩说葏⒖冀梃b。關(guān)鍵詞欄目化電視節(jié)目訪談方法

簡(jiǎn)介：湖南師范大學(xué)碩士學(xué)位論文敘事與符號(hào)的魅力中國(guó)電視談話節(jié)目藝術(shù)探微姓名李滔申請(qǐng)學(xué)位級(jí)別碩士專業(yè)新聞學(xué)指導(dǎo)教師田中陽(yáng)20060501■，●ABSTRACTASANEWBOOMINGANDDISPUTABLETVPROGR鋤，TVTALKSHOWHASBEENCONCEMEDBYTHEACADEMIAANDTHEJOUMALISTICCIRCLESTHOUGHSCHOLARSHAVEDONEMUCHRESEARCHINGWORKINTHEFIELDSOFTALKSHOW’SGROWUPREASONSORTHEDEVELOPINGMETHODS，MESE1ITERATURESARE仔AGMEMARY。THEYNEEDCOMPREHENSIVESURVEYANDSYSTEMICCONSIDERATION。0NTHEBASISTHATTVTALKSHOWISESSENTIALLYALDNDOFNANATION，ANDITSCOMMUNICATIVEFEATURESOFSOUNDANDVOICEMAKENON一1INGUISTICSIGNSPLAYAMAJORROLEINTALKSHOWS，WEDECIDETOADOPTNARRATOLOGYANDSEMIOTICSTODEEPLYANDCOMPREHENSIVELYANALYZETHENARRATIONANDNON一1INGUISTICSIGNSINTALKSHOWPROGRAMSINTHEFIRSTCHAPTERT11EFIVEBASICFONNSOFTVTALLSHOWWEREMAINLYMENTIONED行OMTHEASPECTOFACADEMYBESIDES，THEDEVELOPMENTANDMESOCIAL一CULTUREBACKGROUNDSOFTVTALKSHOWWEREALSODISCUSSEDINTHEF0110WINGSECONDCH印TER，NARIATOLOGYWASADOPTEDTOSTUDYTVTALKSHOWSTHROU曲TEXTUALANALYSIS，WEPOMTEDOUTHOWMEFUNCTIONS，SETTINGSANDTIMEOFNARRATIONWERESHO、VNONTVASTVTALKSHOWISAKINDOFSPECIALANDSPATIOTENLPORALNANATIONASAPRACTICALMETHODOLOGY，NARRATIONANDSIGNALMOSTOCCURREDATMESAMETIMEINTHET11IRDCH印TER，WEMAINLYMAKEOUTMEMEANINGSOFSCENE巧，1I曲TS，MUSIC，ANDPROPSFURTHERMORE，WEFOUNDOUTHOWTHESESIGNSBECOMEANAIDFORT11EINFOMATIONTRANSMISSIONDURINGACONVERSATIONFINALLY，WECAMETOTHECONCLUSIONTHATT11EREWERESTILLMANYDISADVANTAGESINTVTALKSHOWSWBSHOULDNOTONLYMAKETHETOPICMOREPLOT，BUTDEEPEN也ECULTUREMEANINGSOFSIGNSWETRIEDTOCOMBINENARRATIONWITHSEMIOTICSAUTOMATICALLYONONEHAND，WESTUDIEDHOWTOIIR【1ROVENARRATIONUSINGNONLINGUISTICSIGNS；ONMEOTLLERHAND，WEDISCUSSEDHOWTOEXPLAINTHESIGNS’CULTUREMEANINGSBYMEANSOFNARRATIONASARESULTWEHOPETOMAKETHEO叫RESEARCHGOBACKTOTHEPRACTICELEVEL。KEYWORDSTV‘RALKSHOW，NARRATION，SEMIOTICS，COMMUNICATIONFEATURE

簡(jiǎn)介：蘇州大學(xué)碩士學(xué)位論文劉郎江南系列電視文化藝術(shù)片研究姓名顧斌申請(qǐng)學(xué)位級(jí)別碩士專業(yè)傳播學(xué)指導(dǎo)教師倪祥保20030401劉郎江南系列電視文化藝術(shù)片研究英文提要ASTUDYONCULTURALARTTELEVISIONSERIESBYLIULANGABSTRACTTHISPAPERATTEMPTSTODISCUSSCULTURALARTTELEVISIONSERIESDIRECTEDBYLIULANGFROMTHEPERSPECTIVEOFTHERELATIONBETWEENCULTUREANDARTITHASBEENDIVIDEDINTO3PARTSPART1，F(xiàn)IRST，INTERPRETSAPHENOMENONCALLEDLIULANGPHENOMENONTHROUGHANINTRODUCTIONOFLIULANGTHISBACKGROUNDINFORMATIONEXPLAINSHOWANDWHYHISPARTICULARSTYLECOMESINTOBEING，THENTHISPARTMAKESANEFFORTTOMAKEITCLEARTHATREGIONALCULTUREISOPENNOMATTERWHEREHEWASBORN，HECANTALKABOUTCHINESECULTUREANDCHINESEARTINCHINESEWAYSOLONGASHEHASABETTERUNDERSTANDINGOFCHINESECULTUREANDGOODPERCEPTIONTOARTPART2FOCUSESONANANALYSISOFTHECHARACTERISTICSOFHISFILMSINOTHERWORDS，THEMETHODSTOCREATEPOETICFLAVOURANDARTISTICCONCEPTIONASWELLASTHEGLAMOURTHEMOSTSTRIKINGFEATUREOFHISFILMSISPOETICARTISTICCONCEPTIONWHICHHASACHIEVEDBYANEMPLOYMENTOFSELECTION，EDITIONOFTABLEAU，NARRATION，ANDMUSICANDINTERWEAVING‘PICTURE’’WITH‘‘。FEELING’’OR“FORM”WITH‘‘SOUL”THECONCLUSIVEPARTCENTERSONTHEDEEPCULTURALEXPLORATIONANDPHILOSOPHICTHINKINGEMBODIEDINTHEFLOWERYLANGUAGEANDAESTHETICIMAGESINHISFILMS，TOPOINTTHATHISCREATIONHASBOTHPERCEPTUALANDRATIONALCHARACTERISTICSANDSTYLEKEYWORDSLIULANG，TELEVISIONSERIES，POETICFLAVOURPHILOSOPHYⅡWRITTENBYGUBINSUPERVISEDBYPROLNIXIANGBAO

簡(jiǎn)介：東北師范大學(xué)碩士學(xué)位論文“學(xué)研產(chǎn)合作”教學(xué)模式在廣播電視藝術(shù)人才培養(yǎng)中的應(yīng)用研究姓名張慧鑫申請(qǐng)學(xué)位級(jí)別碩士專業(yè)廣播電視藝術(shù)學(xué)指導(dǎo)教師王稼之20080501ABSTRACTSINCETHE2LSTCENTIU％THEC11INESEGOVE加衄EMLLASBEENPAYIILG伊EATATTENTIONT0ⅡLECOURSEOFPUBLIC時(shí)A11DALSOMIE礎(chǔ)IVATION0FCON腳血CATIONTALE吣，鋤DH朗CETHE址曲EREDUCATIONOFFIHA11DTELEVISIONARTTLASAROUSEDAWIDER孤培EOFATTENTIONNOTOLDYFROMDOMESTICACADE血CMEMBERSAILDEVEN丘0M血E州HOLES0CI奶，11圮MAIOROFRADIOA11DTV1IRECTILLGW私F0Ⅷ【DEDINNOMLEASTNOMLALUILIVCIRS毋OFCTLI嗯IIL2000INMARCH2004，MEULLIVERS蚵印PLIEDAPR∞ECTOFBLLILDINGASTUDYRESEARCHPRODLLCTION訪TERACTIVEEDLLCANONSYSTEIILIILTHEM句OROFRADIO趾DTVDIREC血GANDHOSTII培，W11ICHH嬲PROGRESSEDSO咖CHTHESEDAYSNLATIILSETTINGC0URSESF0R鏟AMIATES，INBACHELORS’COINVENTIONAFTER鏟ADUATION，THEPROJECTL瑚GAILLEDSOMEOUTCOMESAILDHASPMTHEM缸OPRACDCEATPRESEM，HOWEVER，ITFOCLISES0NⅡLESTUDYANDAPPLICATIONOFRESEARCHANDPRODLLCTIOIL，ANDALSOONTE妣GSARLDPRACTICEINPOST黟ADUA把S，NLISARTICLEWMCHSTARTS丘DMTHEUILIONOFRADIOTELEVISIONARTEDLLCATIONAILDⅡLESTUDYRESEARCHPRODUCTIONP刪E鷗B勰EDON也ERELATEDME嘶ESINEDUCATIONAILDPSYCHICS，HASAILALYZEDTHESNJDYRESEARCHPRODUCTIONCOOPERATIONTEACHINGSTYLE，A11DIPERSONALLY鋤BOLDENOU曲T0MAKEA10TOFADV鋤加ROLLS觚DYETREASON蜀LBIEHYPO也ESIS缸LDDISCLLSSIOILSINITIHAVEAPPLIEDSEVERALRESEARCHM“HODSSUCH硒ANALYZIILG，A11ALOGUE，DEDUCTIONANDSOONFIRSNYIPUTF0刑ARDTHEACADELILICDEFMITION0F也ESTILDYRESEARCHPRODLLCTIONTE拋GS鑼LE，DISCUSSIILGMERELATIONSLLIPOFT11EMTHREESECONDLYIBRIEFTLLECHAR刪STICSOFRADIOTELEVISIONARTSUBJEET，COMBINII馮也EGTUDYRESEARCHPRODLLCTIONTEACLLINGS眵LEWIMIT，ARLDTLLEREFORECONCLUDETILEAPPROPRIATETEACHINGS夠LEANDPRACTICAL印PLICATIONWAYIILTHISM萄ORFILLALLY，ISUMMONT0EXERTTHESPECIALADVANTAGESOFOURNOMLALEDUCATION，AILDAS鯽ME脅TWESH甜1CULTIVATECOMPREHENSIVEARTTALENTS，INHOPESOFO丘宅RINGSOMEGUIDANCCT0TLLESUSTAILLEDDEVELOPMENTOFT11EARTMAJORIILNOMLEASTNO姍ALU11IVERSI夠OFCLLILLAKEYWORDS吣RESEARCHPRODLLCTIONC00PEMTION；咖DYRESEARC舡PRODUC；TIONCOOPERATIONTEACHH培STYLE；RADIO趾LDTELCVISIONANSLIBJECTEDLLCATIONⅡ

簡(jiǎn)介：學(xué)校代碼幽分類號(hào)咝00IR0二研究生學(xué)號(hào)10200200721876密級(jí)玉⑧東牡JIF予葒大莩碩士學(xué)位論文電視深度調(diào)查類節(jié)目中影視藝術(shù)表現(xiàn)手法的研究一一以央視新聞?wù){(diào)查為例TVDEPTHSURVEYCLASSFILMANDTELEVISIONPROGRAMSOFARTISTICEXPRESSIONCCTVINVESTIGATIVEJOURNALISMASANEXAMPLE指導(dǎo)教師學(xué)科專業(yè)研究方向?qū)W位類型作者佟燕玲孫寧教授廣播電視藝術(shù)學(xué)數(shù)字媒體藝術(shù)學(xué)歷碩士東北師范大學(xué)學(xué)位評(píng)定委員會(huì)2010年5月獨(dú)創(chuàng)性聲明本人鄭重聲明所提交的學(xué)位論文是本人在導(dǎo)師指導(dǎo)下獨(dú)立進(jìn)行研究工作所取得的成果。據(jù)我所知，除了特別加以標(biāo)注和致謝的地方外，論文中不包含其他人已經(jīng)發(fā)表或撰寫過(guò)的研究成果。對(duì)本人的研究做出重要貢獻(xiàn)的個(gè)人和集體，均已在文中作了明確的說(shuō)明。本聲明的法律結(jié)果由本人承擔(dān)。學(xué)位論文作者簽名工量墼絲日期學(xué)位論文使用授權(quán)書本學(xué)位論文作者完全了解東北師范大學(xué)有關(guān)保留、使用學(xué)位論文的規(guī)定，即東北師范大學(xué)有權(quán)保留并向國(guó)家有關(guān)部門或機(jī)構(gòu)送交學(xué)位論文的復(fù)印件和電子版，允許論文被查閱和借閱。本人授權(quán)東北師范大學(xué)可以將學(xué)位論文的全部或部分內(nèi)容編入有關(guān)數(shù)據(jù)庫(kù)進(jìn)行檢索，可以采用影印、縮印或其它復(fù)制手段保存、匯編本學(xué)位論文。保密的學(xué)位論文在解密后適用本授權(quán)書學(xué)位論文作者簽名幽日期ⅫF壁S猻學(xué)位論文作者畢業(yè)后去向工作單位通訊地址指導(dǎo)教師簽名盟日期也12＼電話郵編

簡(jiǎn)介：東北師范大學(xué)碩士學(xué)位論文對(duì)話與迷失一種電視藝術(shù)范式的審美文化思考姓名敖柏申請(qǐng)學(xué)位級(jí)別碩士專業(yè)廣播電視藝術(shù)學(xué)指導(dǎo)教師王以寧20070501ABSTRACTTVAESTHETICCULTUREMEALL5THEHISTORYANDAESTHETICCONSIDERATIONOFSOCIALCONTEXT，PRODUCTIONCONSUMPTIONMECHANISMANDINTERTEXTUALITYESTABLISHINGTHEAESTHETICVALUEINORDERTOFEEDTRUEDESIRE，SHAPEWHOLESOMESELFHOODANDQUESTPERMANENTSPIFIT．THEARTICLEISARESEARCHABOUTAESTHETICREGULATION．CULTUREINDUSTRY,RATEDIRECTIONOFPRODUCTION／CONSUMPTIONANDINTERTEXTUALITYBASEDONCONTEMPORARYTVTALKSHOWEXPECTEDTOFINDTHECONTEXTDISTINCTIONPRINCIPLE．AESTHETICVALUEDIRECTIONANDTVECOLOGYIMPROVEMENT．KEYWORDSAESTHETICCULTURE；TVINDUSTRIALIZATION；AESTHETICVALUE；ARTECOLOGY；INTERTEXTULITYⅡ

簡(jiǎn)介：河北師范大學(xué)碩士學(xué)位論文聲樂(lè)藝術(shù)在電視節(jié)目主持人中的應(yīng)用研究姓名孫婧申請(qǐng)學(xué)位級(jí)別碩士專業(yè)音樂(lè)學(xué)指導(dǎo)教師王磊20090901ABSTRACTVOCALMUSICARTTAKESARTISTICONEKINDOFMANIFESTATION，MAYFUSEMUTUALLY、析THMANYKINDSOFARTISTICFORMDISPLAYSITSUNIQUERESOURCESSUPERIORITYOPENSDAYBYDAYINTHESOCIETYTODAYWHICHANDPROGRESSESUNCEASINGLY，THERAPIDDEVELOPMENTTELEVISIONBUSINESSALREADYBECAMETHEPEOPLETOLIVETHEINDISPENSABLEIMPORTANTCONSTITUENTINCREASESDAYBYDAYALONG、，ITLLTHETELEVISIONPROGRAM，THETELEVISIONMEDIAALSONEEDSTOPROFITFROMOTHERARTISTICCLASSTHECHARACTERISTIC，RAISESHASTHEINDIVIDUALITY、HASTHECHARACTERISTICTELEVISIONPROGRAMDIRECTORSIMILARACHIEVEMENTPRONUNCIATIONWORKER，IFVOCALMUSICARTCANMOREAPPLYINTHETELEVISIONPROGRAMDIRECTOR，DISPLAYSITSUNIQUESUPERIORITY，WILLPROVIDEABROADERSPACEANDTHESTAGEFORTHEVOCALMUSICARTANDTHEVOCALMUSICARTPERFORMERTAKINGTHISINTOCONSIDERATION，THISARTICLEFROMVOCALMUSICDETAILSANDSOONARTANDTELEVISIONPROGRAMDIRECTORSPRODUCTION，DEVELOPMENT，CLASSIFICATIONDIFFERENCEWILLEMBARK，DEVELOPMENTVOCALMUSICARTANDTHETELEVISIONPROGRAMDIRECTORDEVELOPUNTILNOWHISTORICALPATHANDRESPECTIVEDEVELOPMENTPRESENTSITUATION；THENINCORRELATIONEXPERT，INSCHOLARRESEARCHRESULTSFOUNDATION，UNIFIESTHEONESELF7YEARSTUDYVOCALMUSICSPECIALIZEDEXPERIENCEASWELLASFOR6YEARSISENGAGEDINTHETELEVISIONPROGRAMMANAGEMENTWORKTHEINTIMATEUNDERSTANDING，TOTHEVOCALMUSICARTSTANDARDPRONUNCIATION，THEGOODBREATH，THEMODERATESYMPATHETICCHORD，THECARRIAGELANGUAGE，THEEMOTIONEXPRESSIONANDMAKETHETHOROUGHCAREFULANALYSISANDTHERESEARCHTOTHEWORKTWODEGREESCREATIONSINTHETELEVISIONPROGRAMDIRECTOR’SAPPLICATION；ATTHESAMETIME，THEQUESTIONANDTHESOLUTIONANDTHETELEVISIONPROGRAMDIRECTORWHICHEXISTSINTHETELEVISIONPROGRAMDIRECTORAPPLICATIONPRONOUNCESTHEQUESTIONHOWTOTHEVOCALMUSICARTWHICHINTHEPROCESSEXISTSANDUSINGTHEVOCALMUSICARTCARRIESONTHESOLUTIONTOMAKETHEFURTHERELABORATIONANDTHEDISCUSSIONITSOBJECTIVELIESIN，CANLETTHEVOCALMUSICARTPERFORMERINTHEINTENSESOCIALCOMPETITIONDEVELOPABROADERDOMAIN，ADAPTSMOREPOSTS，LETOURVOCALMUSICENTERPRISERICHERVIGOR、THECHARM、THEVITALITYKEYWORDVOCALMUSICARTTELEVISIONPROGRAMDIRECTORAPPLLEDRESEARCHIV

簡(jiǎn)介：點(diǎn)擊查看更多電視述評(píng)主持人的點(diǎn)評(píng)藝術(shù)——以《焦點(diǎn)訪談》為例.pdf精彩內(nèi)容。

簡(jiǎn)介：＼1089014學(xué)校代碼19475學(xué)號(hào)104753040484河南大學(xué)研究生碩士學(xué)位論文ASTUDYOFTHECONVERSATIONALCHARACTERISTICSOFTHETVTALKSHOWARTISTICL／FE藝術(shù)人生電視談話節(jié)目的會(huì)話特點(diǎn)研究專業(yè)名稱旦堡主堂壟生旦堡主芏專業(yè)代碼I研究方向堡里蘭年級(jí)三旦里竺研究生姓名導(dǎo)師姓名、職稱胡曉賢張克定教授完成日期二OO七年四月論文主題詞貅凡生F嘲螄I日膾話分神L構(gòu)話語(yǔ)分構(gòu)成，不同的會(huì)話背景及模式具有結(jié)構(gòu)上的不同特點(diǎn)。藝術(shù)人生欄目中的開(kāi)端部分，招呼語(yǔ)、嘉賓介紹以及問(wèn)候語(yǔ)．問(wèn)候語(yǔ)相鄰對(duì)是每期節(jié)目必要構(gòu)成成分。另外，電視談話節(jié)目中的結(jié)束序列在日常會(huì)話固有的模式中是欠缺的，取而代之的是主持人表示感謝的結(jié)束語(yǔ)TEMII_,MTING，它代替了日常會(huì)話模式中禮儀性的告別語(yǔ)。同時(shí)，本文研究結(jié)果顯示，電視談話中的相鄰對(duì)遵循了日常會(huì)話中的規(guī)則，但在會(huì)話輪換的某些方面以及開(kāi)端、結(jié)尾部分卻違反了日常會(huì)話規(guī)則。另外本文還顯示出藝術(shù)人生欄目本身鮮明的特征。由于其屬于機(jī)構(gòu)話語(yǔ)，即主持人與嘉賓之間各自的角色與任務(wù)的分配導(dǎo)致了其在會(huì)話結(jié)構(gòu)和功能上有別于日常會(huì)話。最后，研究藝術(shù)人生欄目的意義在于以上總結(jié)的會(huì)話機(jī)制為國(guó)內(nèi)其他的漢語(yǔ)談話節(jié)目提供了指導(dǎo)，從某種側(cè)面說(shuō)，使國(guó)內(nèi)其他談話節(jié)目更能吸引觀眾眼球，讓觀眾更深入的了解這類節(jié)目，從而為同類節(jié)目的發(fā)展提供了借鑒意義，并且可以促使主持人在主持節(jié)目中的話語(yǔ)更精彩、更為合理。同時(shí)，我們也可以從會(huì)話分析的角度對(duì)漢語(yǔ)以及外國(guó)語(yǔ)電視談話節(jié)目作進(jìn)一步的對(duì)比研究。關(guān)鍵詞藝術(shù)人生；電視談話節(jié)目；會(huì)話分析機(jī)構(gòu)話語(yǔ)

簡(jiǎn)介：學(xué)校代碼10200分類號(hào)G22研究生學(xué)號(hào)Q星QQ窒QQZ星墾墨魚密級(jí)玉⑧東北JIF予冠大雪碩士學(xué)位論文電視電影制片運(yùn)營(yíng)模式與市場(chǎng)經(jīng)濟(jì)受眾群體關(guān)系的創(chuàng)新融合研究LNNOVATIVERESEARCHBASEDONTHEREIATIONSHIPBETWEENTVLNN0VATLVERESEARCNDASED0NTNEREIANONSNIPOERWEENLV＆FILMPRODUCTIONBUSINESSMODELANDMARKETECONOMYA¨DIENCE指導(dǎo)教師學(xué)科專業(yè)研究方向?qū)W位類型作者孫理王稼之教授廣播電視藝術(shù)學(xué)影視藝術(shù)學(xué)歷碩士東北師范大學(xué)學(xué)位評(píng)定委員會(huì)2011年3月摘要電視電影的起源追溯于上世紀(jì)的六十年代，起初的電視電影的制作目的就是滿足電視節(jié)目的播出，即為電視而存在的電影。這種由電視所衍生的節(jié)目形式至今已經(jīng)有了幾十年的歷史。在中國(guó)，第一部電視電影作品牛哥的故事別了，冬天于1999年走上了電視銀幕，一部電影作品在電視銀幕的播出無(wú)疑是中國(guó)電影界和電視界的一件值得紀(jì)念的重大事件，也是具有劃時(shí)代意義的歷史時(shí)刻。隨著影視藝術(shù)的不斷的發(fā)展，電視電影這門新興的藝術(shù)形式逐漸成為大家關(guān)注的新領(lǐng)域，一個(gè)介于電影與電視之間的新型產(chǎn)業(yè)模式逐步形成了自己規(guī)模，并且快速發(fā)展演變。在我國(guó)，電視電影至今經(jīng)歷的十余年的變化中，產(chǎn)業(yè)模式及制片運(yùn)營(yíng)模式的探究為中國(guó)電視電影長(zhǎng)久發(fā)展將起到重要的推進(jìn)意義。本文分五個(gè)部分。第一部分主要提出研究方法和研究?jī)r(jià)值。第二部分用歸納比較的方法研究中國(guó)電視電影從2003年到2008年的運(yùn)營(yíng)模式變化，并結(jié)合筆者自身參與的一部電視電影的拍攝入手，深入研究中國(guó)電視電影的制片運(yùn)營(yíng)模式。第三部從影視受眾的角度探索受眾群體對(duì)營(yíng)銷策略的影響。第四部分分析了電視電影運(yùn)營(yíng)模式與市場(chǎng)經(jīng)濟(jì)受眾群體之間的關(guān)系。第五部分在對(duì)前文論證的基礎(chǔ)上從電視電影的自身形式、投融資方式、市場(chǎng)開(kāi)拓、創(chuàng)新?tīng)I(yíng)銷方式等方面進(jìn)行闡述，從而探索出一條適合市場(chǎng)經(jīng)濟(jì)受眾的新的營(yíng)銷之路。關(guān)鍵詞電視電影影視受眾電視電影營(yíng)銷

簡(jiǎn)介：上海大學(xué)碩士學(xué)位論文完善電影產(chǎn)業(yè)鏈將電影電視化傳播東方電影頻道發(fā)展策略研究姓名吳廣馳申請(qǐng)學(xué)位級(jí)別碩士專業(yè)電影學(xué)指導(dǎo)教師任仲倫20060610上海大學(xué)文學(xué)碩士學(xué)位論文壘望竺璺璺墊蘭些竺型塑皇竺壁生璺業(yè)塑堡堡墨登堅(jiān)竺塑里絲ABSTRACTTHESYSTEMREFORMOFTHEFILMINDUSTRYISAHOTSPOTINOURCULTUREINDUSTRYDEVELOPMENTASAVERYIMPORTANTTAEHEOFOURFILMINDUSTRYCHAIN，THEMOVIECHANNELISANINTEGRANTAPPROACHOFTHEFILMINDUSTRYSSPREADTHEMOVIECHANNELCANNOTONLYMAKESAFURTHERSPREADOFTHEOUTSTANDINGMOVIE，BUTALSOCANBEAPOWERFULENGINEFORTHEFILMINDUSTRY’SDEVELOPMENTINTERMSOFITSCOMMERCIALVALUESOMEOFOURMOVIECHANNELSARESTILLINTHEPRIMARY●DEVELOPMENTPERIODCOMPAREDWITHSOMEEXCELLENTFOREIGNMOVIECHANNELS，THEREARESTILLSOMEPROBLEMSINTERMSOFCHANNELORIENTATION，F(xiàn)ILMSOURGEANDINCOMETHISARTICLEMAKESACOMPREHENSIVECOMPARISONAMONGTHECCRVCHANNELMOVIE，SOMEREGLONALMOVIECHANNELSANDSOMEOUTSTANDINGFOREIGNMOVIECHANNELSINTERMSOFTHEIRACTUALITIESANDSPECIALTIESACCORDINGTOTHETWOANDAHALFYEARS’DEVELOPMENTOFTHEEASTMOVIECHANNELTHERECOULDBESOMEVERYUSEFULSTRATEGICADVICESFORTHEDEVELOPMENTOFOURMOVIECHANNELBYTHISDETAILEDCOMPARISONTHISARTICLEISCOMPOSEDOFFOURPARTSTHEFIRSTPARTFOCUSESONTHEDEVELOPMENTOFTHEEASTMOVIECHANNEL儆PARTSHOWSUSASUMMARIZEDCONDITIONOFITSCHANNELBACKGROUND，THECURRENTRUNNINGCONDITIONANDPROBLEMS；THESECONDPARTISACOMPARATIVEANALYSISBETW∞NTHENATIVEANDFOREIGNMOVIECHANNELSTHISPARTALSOOFFERSSOMEVALUABLEADVICESFORTHEFUTUREDEVELOPMENTOFTHEEASTMOVIECHANNELBYUCOMPARATIVEANALYSISAMONGTHECCTVMOVIECHANNELTHEWESTERNMOVIECHANNELTHECHANGCHUNMOVIECHANNEL，THEHBO，THECINEMAXMOVIECHANNELANDTHESTARMOVIECHANNELTHE‘THIRDPARTSHOWSUSTHEFUTUREORIENTATIONOFEASTMOVIECHANNEL；THELASTPARTISTHEEPILOGUEMEANWHILEITISTHECONCLUSIONOFTHISARTICLEKEYWORDSMOVIECHANNELDEVELOPMENTS們TEGYTHEOPERATIONOFTHESPECIALIZEDCHANNELVL

簡(jiǎn)介：湖南師范大學(xué)碩士學(xué)位論文電視調(diào)查性報(bào)道的敘事藝術(shù)探索以新聞?wù){(diào)查為例姓名肖瀟申請(qǐng)學(xué)位級(jí)別碩士專業(yè)新聞學(xué)指導(dǎo)教師田中陽(yáng)20080601ABSTRACTNARRATOLOGYISATHEORYTOSTUDYTHENARRATIVEWORKSANDTHENARRATIVEBEHAVIORSPECIALLYTVISTHEMOSTPOPULARNARRATIVEMEDIAINTHEMASSCOMMUNLCATLONHLSTORYIV一一●●‘月NRINVESTIGATIVEREPORTISTHEMOSTTYPICALANDMOSTINFLUENTIALNARRATIVEBEHAVIORINTVNEWSPROGRAMMES“NEWSPROBE”ISTHESYMBOLOFTVINVESTIGATIVEREPORTSINCHINAITISTHEHIGHESTPRODUCTIONSTANDARDSOFTVINVESTIGATIVEREPORTINCHINAINORDERTOANALYZETVINVESTIGATIVEREPORTWITHNARRATIVETHEORYTHOROUGHLY，THEPAPERPUTSEMPHASISONTHEEXAMPLESOF“NEWSPROBE”SO，COMBININGTHEORYWITHPRACTICE，ITCANLETUSUNDERSTANDTHECOMMUNICATIONRULESOFTVINVESTIGATIVEREPORT，ANDGUIDEUSTOUSETHETEXTOFTVBETTERCHINATVINVESTIGATIVEREPORTWILLBEMOREMATUREANDINFLUENTIALINFUTURETHISPAPERMAINLYDIVIDESINTOFOURPARTSTHEFIRSTPARTINTRODUCESNARRATOLOGY，TVINVESTIGATIVEREPORT，ANDTHEMEANINGOFUSINGNARRATOLOGYTOANALYZETVINVESTIGATIVEREPORTBRIEFLYWITHNARRATIVETHEORY，THESECOND，THIRD，F(xiàn)ORTHPARTSEXPLORETHETVINVESTIGATIVEREPORTINTHREERESPECTS‘。STORY’4?！ISCOURSESTRUCTURE’’。‘。NARRATORANDTHEAUDIENCE”THEANALYSISOF“STORY“FOCUSESONTHECHARACTERISTICOFSUBJECTS，F(xiàn)IGURESANDSTRUCTUREABOUTTVII