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1、沈陽建筑大學(xué)碩士學(xué)位論文非物質(zhì)文化遺產(chǎn)展示空間設(shè)計(jì)研究姓名:李冰申請學(xué)位級別:碩士專業(yè):建筑設(shè)計(jì)及其理論指導(dǎo)教師:黃勇2011-01碩士研究生學(xué)位論文 Abstract Ⅱ Abstract Starting from the end of last century, the intangible cultural heritage gradually is considered as the object

2、 of protection in the museum (exhibition). Through displaying and performing, people become more and more awareness, understanding and attention to the intangible cultural heritage, and then the

3、 intangible cultural heritage is protected and the traditional culture is saved. In this paper, the Intangible Cultural Heritage exhibition space as the main object of study, combining sociology,

4、 folklore, cultural heritage, science, musicology, psychology, art design, architecture and other disciplines of knowledge, explained the concept of intangible cultural heritage characteristics, analy

5、sis of the impact of the Intangible Cultural Heritage display the properties of factors and exhibition, display of Intangible Cultural Heritage summarized the basic features, builds on existing

6、theories on space design, and then the special exhibition space made possible design strategy. Paper first introduces the elements of display design, carding a course of development of exhibition

7、 space, which the background display of the Intangible Cultural Heritage, through the comparison of different classification criteria, summed up the characteristics of the Intangible Cultural Heri

8、tage- - living, regional, inheritance. Second, the combination of concept, content, technology and other aspects of the influence factors of the exhibition of the Intangible Cultural Heritage of a

9、 variety of attributes, which summarized the display of Intangible Cultural Heritage of the three basic characteristics- - “ dynamic”presentation, “ Context”restore, “ personal”experience. Finally, based on

10、 the principles of exhibition space design, three strategies of the intangible cultural heritage are established: creating a living exhibition space to show their living state; shaping the space

11、 reflected the regional situation; building in the interactive space to illustrate their inheritance. Ultimately the protection of the intangible cultural heritage will be achieved, by building tr

12、inity space, expressing the main values of the intangible cultural heritage accurately, inspiring people's resonance of this ancient culture, and then establishing a cognitive approach of “cu

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