歐洲經(jīng)文歌發(fā)展的文化特征——宗教面對(duì)世俗的對(duì)抗與適應(yīng).pdf

1、河南大學(xué)碩士學(xué)位論文歐洲經(jīng)文歌發(fā)展的文化特征——宗教面對(duì)世俗的對(duì)抗與適應(yīng)姓名：閆霏申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：音樂(lè)學(xué)指導(dǎo)教師：朱敬修2003.5.1AbstractMotetisagenreofmusicalpatternemergingduringthelateMiddleAgesAtthefirstbeginning，itjustexistedasapartof1iturgicalmusic，including3voiceparts，a

2、ndusesrhythmicmodelsthuspossessestypicalfeaturesofchurchmusicLaterthisgenreabsorbedmuchfromsecularartundertheinfluenceofhumanisminRenaissance，developedandwonwidepopularityinFrance，England，Italy，andGermanyHencethemedieval

3、motetbecametheblendingofreligionandsecularizationandindividualityandcommonnessandwasdevelopedtothetopbyLassusSincethe17“Century，theoriginal‘functionandvalue’inmotetwassubstitutedgraduallybynumerousnewlyrisingseculargenre

4、s，asaresult，itwentdownasanindividualtypeThispapertakesthemotetsrangingfrom1220to1750asobjects，withthecompositewayoftechnicalandculturalanalysis，fromtheangleoftherelationbetweenreligionandsecularization，investigatesthorou

5、ghlyandillustratesthechangesofforms，natureandfunctionsofmotetsindifferentstagesand，thechangeoftherelationbetween1iturgicalandsecularfactorsinmotetswhilethesocialandrelationalideaschangedThenthispapersumsupthe‘doublecultu

6、re’(bothopposedandadaptivetoeachother)propertythemotetshowingwhenitencounteredthetransformationofsecularenvironmentandtheinvasionofsecularfactorsThewholepaperconsistsofthefollowingtwochapters：Chapter1RetrospectionoftheDe

7、velopmentoftheMotetanditsTransformationofFormsWithspecificcompositionexamples，thispaperretrospectshistoricallyandtakesacloseanalysisonthefeaturesandchangesofthemotetindifferentperiodsAccordingtothediversekeyhistoricaleve

8、ntsanditsfeatures，thedevelopmentconsistsof5stages：1TheOriginationandPreljaratoryDevelopmentoftheMotet(13“Century)2TheDiversificationandPopularizationoftheMotet(14此Century)3TheBlendingofthestylesofEuropeanCountries(fromth