蒙特威爾第與格魯克歌劇人物奧菲歐藝術形象比較研究

1、分類號： 分類號： 碩 士 學 位 論 文 題 目： 目： 蒙特威爾第與格魯克歌劇人物奧菲歐藝術 蒙特威爾第與格魯克歌劇人物奧菲歐藝術形象比較研究 形象比較研究 T i t l e : 學 科、 專 業(yè)： 業(yè)： 音 樂 學 研 究 方 向： 向： 聲樂演唱與教學研究 聲樂演唱與教學研究 作 者 姓 名： 名： 導 師 及 職 導 師 及 職 稱： 稱： 論文提交日期： 論文提交日期： 2013 年 4 月 授予學位

2、日期： 授予學位日期： 安 徽 師 范 大 學 學 位 評 定 委 員 會 辦 公 室 II Abstract Opera, which is like the little trickle gradually becoming the mighty ocean, has shown its vitality throughout the development history of more than 400 years. Euri

3、dice, as the early masterpiece, has formed a permanent relation with the art of opera. Monteverdi, whose first opera Orfeo started the glorious era of opera, was the first to establish the artistic form of opera, and he

4、thought the standard of value to create operas was the simple core idea that opera should be loaded by music. Gluck created Orfeo and Euridice for his opera reform, and he chose the story of the theme as Monteverdi did,

5、which could be seen as the inheriting and developing of Monteverdi’s artistic tradition. Monteverdi and Gluck are the early representative figures, both of whom have played the important roles in the opera history, and e

6、ven in the whole music history. The works of them share the same characteristics under the guiding idea that music is for lyrics, but as two composers, they are obviously different in the creating themes and techniques.

7、In this thesis, the artistic images of same character Orfeo in the two different operas are compared, aiming at discovering the underlying artistic value and features, which may offer a more comprehensive viewing angle a