當(dāng)代中國(guó)風(fēng)景油畫形式語(yǔ)言的探索

1、編 號(hào)： 碩士學(xué)位論文 碩士學(xué)位論文 題 目：當(dāng)代中國(guó)風(fēng)景油畫形式語(yǔ)言的探索 培 養(yǎng) 單 位： 美術(shù)與設(shè)計(jì)學(xué)院 專 業(yè) 名 稱： 美術(shù)學(xué) 指 導(dǎo) 教 師： 巫曉疆 研 究 生： 梁樹鵬 完 成 時(shí) 間： 2015 年 3 月 沈陽(yáng)師范大學(xué)研究生處制類 別 全日制研究生 √ 教育碩士 同等學(xué)力 The exploration of contemporary form of Chinese lan

2、dscape painting language ABSTRACT Through this topic research, for the development of contemporary formal language of Chinese landscape painting to explore and diversification to provide theoretical clues, and new forms

3、 of contemporary landscape painting creation language put forward useful insights. Especially in the contemporary China landscape painting form the diversity of language development period, among landscape oil painting,

4、the artist emotion and thought gradually become the main body of creation art form of language. Through the different artistic language form to the artist's spiritual world and the scenery of the objective world. In

5、 the creation of the contemporary art language of Chinese landscape painting we need to change the thinking of the traditional landscape painting, dare to bold innovation, dare to use different forms of art language perf

6、ormance novelty. The artist's subjective thinking and the emotion, can make the painting more positive and proactive performance objective. Different picture will produce different feelings to the artist, the same sc

7、ene as well as for different artists will produce different feelings, artists in expressing work due to the different feelings in the form of a language should be more diverse. This is about to artists according to portr

8、ay image and choose different forms of art language to express the works, does not make the artist in the performance of the same scene and same this loses the significance of. In the landscape painting sketch creation,

9、we will boldly to the practice of the art form of language, not limited to a single form of expression, want to dare to try new forms of new language. From multiple perspectives, according to the individual needs of work

10、, actively try and innovation, to render the artist of landscape painting requirements of personalized expression. Of contemporary form of Chinese landscape painting language, as well as to the state of the development

11、of contemporary formal language of Chinese landscape painting, is the contemporary form of Chinese landscape painting language and the development direction for the future, find out problems, provides the basis. Contempo

12、rary form of Chinese landscape painting language is a broad space for development in China, so we are a new generation of art should be paying attention to and strengthen the language of landscape oil painting form posit