周星馳電影的文化闡釋.pdf

1、南京師范大學(xué)碩士學(xué)位論文周星馳電影的文化闡釋姓名：王丹申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：電影學(xué)指導(dǎo)教師：華明2003.5.1一————j塑型AbstractWeCallnotignoreStephenChouwhenwementionthecomediesofthe1990sBecauseoftheuniquestyleofChou’Smovies，peoplenamethemWuLitoumoviesTheWuLitoumoviescausel

2、aughtersfrenziedlyandseemtohavenOmeaningsata11However，thereisalsonolackofmockingandsubvertingsometraditionalandorthodoxideasinChou’SmoviesThat’SwhymanyinvestigatorsincludetheminthecategoryofpostmodernistcultureButthemovi

3、eswhichhavesomepostmodernistcharacteristicsarenotpresumedtobethepostmodemisttextsThetheoryofpostmodernismstillremainstobeuncompletedandcontroversialInfact，StephenChou’SmoviesarestronglyinfluencedbythetraditionalcultureTh

4、epost—modernistcharacteristicsofStephenChou’SmovieshavebeenanalysedcomparativelyclearlyandprofoundlyButlessattentionwaspaidtothefactorsoftraditionalcultureinhismoviesTheemphasisofthisthesisistoreviewthetraditionalculture

5、factorsinStephenChou’SmoviesespeciallytheinheritanceanduseoftraditionalcomedyskillsandthepartialityfortraditionalsubjectsandvaluesThethesisemphasizestheuseofthedevelopedtraditionalcomedyskillswhichhadbeenproficientlyused

6、intheclassicalcomedies，andthespecialskillsofCarvinalculture，mainlytheCarvinallanguageandtheweirdbodyimageemergedastheimportantiamgeinCarvinalcultureAlthoughthepersonwhaisedtheCarvinaltheorywasnotChinese，thereisnolackofca

7、rvinalspiritwhichallhumanbeingshaveintheChinesetraditionalcultureThereviewmaybenotprofoundandmeticulousenoughButifitcouldmakeUSfindthepossibilityoreventhenecessityofinvestigatingStephenChou’Smoviesandthetheoryofpostmoder