版權(quán)說明:本文檔由用戶提供并上傳,收益歸屬內(nèi)容提供方,若內(nèi)容存在侵權(quán),請進行舉報或認領(lǐng)
文檔簡介
1、南京師范大學(xué)碩士學(xué)位論文八大山人與傅山書法比較研究姓名:韓浩申請學(xué)位級別:碩士專業(yè):書法篆刻指導(dǎo)教師:王繼安2009南京師范大學(xué)碩士論文 2Abstract Badashanren and Fu Shan are well-known in China during the late Ming and early Qing art. In calligraphy, painting, stone carving are the high
2、 attainments in the history of art in China played an important role, is the two-bit book is worthwhile to study at home. Fu Shan and Badashanren’s age, the history of Chinese calligraphy is a huge turning point, on the
3、 one hand, the traditional school bloom with a brilliant last time, famous figures, but with the decline and fall of the Ming Dynasty and the establishment of the Qing Dynasty and Qing Therefore, the early Ming scholars
4、on the repression and persecution, to clamp down on their ideology, with the decline of the fast track to learning. On the other hand, the beginning of the rise of epigraphy, has gradually become the mainstream of academ
5、ic and accelerated the decline with the process of learning. Fu Shan Badashanren and personal experience, there are many similarities, but they are works of calligraphy are displayed distinct style. Ancient calligraph
6、y Badashanren Ya Jane short, the Jin-style to emulate and strive concise lines and the streamlining of the structure in order to win rhyme; and Fu Shan's calligraphy is majestic atmosphere, hung earned the meantime,
7、the thick lines on the strong, the structure of more than twisting around, go on the road to potential success. This is a very worth studying and pondering the question. Therefore, the Fu Shan and Badashanren together, w
8、e would come out of a lot of interesting topics. This article from the book of the family home environment for the growth of personal and social thinking of the environment, calligrapher's personal
溫馨提示
- 1. 本站所有資源如無特殊說明,都需要本地電腦安裝OFFICE2007和PDF閱讀器。圖紙軟件為CAD,CAXA,PROE,UG,SolidWorks等.壓縮文件請下載最新的WinRAR軟件解壓。
- 2. 本站的文檔不包含任何第三方提供的附件圖紙等,如果需要附件,請聯(lián)系上傳者。文件的所有權(quán)益歸上傳用戶所有。
- 3. 本站RAR壓縮包中若帶圖紙,網(wǎng)頁內(nèi)容里面會有圖紙預(yù)覽,若沒有圖紙預(yù)覽就沒有圖紙。
- 4. 未經(jīng)權(quán)益所有人同意不得將文件中的內(nèi)容挪作商業(yè)或盈利用途。
- 5. 眾賞文庫僅提供信息存儲空間,僅對用戶上傳內(nèi)容的表現(xiàn)方式做保護處理,對用戶上傳分享的文檔內(nèi)容本身不做任何修改或編輯,并不能對任何下載內(nèi)容負責(zé)。
- 6. 下載文件中如有侵權(quán)或不適當(dāng)內(nèi)容,請與我們聯(lián)系,我們立即糾正。
- 7. 本站不保證下載資源的準(zhǔn)確性、安全性和完整性, 同時也不承擔(dān)用戶因使用這些下載資源對自己和他人造成任何形式的傷害或損失。
最新文檔
- 八大山人晚年書法風(fēng)格研究.pdf
- 八大山人的傳說
- 八大山人書法空間構(gòu)成特征及其成因.pdf
- 八大山人專題(作文素材)
- 八大山人書法筆法研究——兼談我的創(chuàng)作
- 八大山人荷花題材研究——以八大山人《蓮房小鳥》、《河上花圖卷》為例.pdf
- 八大山人藝術(shù)精神研究.pdf
- 八大山人繪畫空間關(guān)系研究.pdf
- 近二十年來八大山人書法研究述評.pdf
- 八大山人、潘天壽繪畫構(gòu)圖對照研究
- 八大山人的繪畫“符號”與意象油畫的比較研究
- 八大山人與石濤花鳥畫之比較研究
- 畫法兼之書法——八大山人畫中的書法意境美.pdf
- 八大山人晚年的繪畫思想研究.pdf
- 八大山人藝術(shù)風(fēng)格研究.pdf
- 八大山人書法筆法研究——兼談我的創(chuàng)作_6602.pdf
- 八大山人山水畫用線研究.pdf
- 試論八大山人的繪畫藝術(shù)作品.pdf
- 八大山人繪畫形式之美研究_21259.pdf
- 八大山人的繪畫“符號”與意象油畫的比較研究_9435.pdf
評論
0/150
提交評論