文藝復(fù)興時(shí)期自畫像中藝術(shù)家的形象.pdf

1、學(xué)位論文獨(dú)創(chuàng)性聲明本人鄭重聲明：所提交的學(xué)位論文是本人在導(dǎo)師指導(dǎo)下進(jìn)行的研究工作和取得的研究成果。本論文中除引文外，所有實(shí)驗(yàn)、數(shù)據(jù)和有關(guān)材料均是真實(shí)的。本論文中除引文和致謝的內(nèi)容外，不包含其他人或其它機(jī)構(gòu)已經(jīng)發(fā)表或撰寫過的研究成果。其他同志對(duì)本研究所做的貢獻(xiàn)均已在論文中作了聲明并表示了謝意。學(xué)位論文作者簽名：於、穆1噸日期：》l葉，，y；學(xué)位論文使用授權(quán)聲明研究生在校攻讀學(xué)位期間論文工作的知識(shí)產(chǎn)權(quán)單位屬南京師范大學(xué)。學(xué)校有權(quán)保存本學(xué)位論

2、文的電子和紙質(zhì)文檔，可以借閱或上網(wǎng)公布本學(xué)位論文的部分或全部內(nèi)容，可以采用影印、復(fù)印等手段保存、匯編本學(xué)位論文。學(xué)?？梢韵驀矣嘘P(guān)機(jī)關(guān)或機(jī)構(gòu)送交論文的電子和紙質(zhì)文檔，允許論文被查閱和借閱。(保密論文在解密后遵守此規(guī)定)保密論文注釋：本學(xué)位論文屬于保密論文，密級(jí)：』豳牟一保密期限為——年。學(xué)位論文作者簽名：Ⅺ一噍聽指導(dǎo)教師簽名：日期：抄忡r)／j日乙期：砂jVj。汐7AbstractAbstractRenaissanceoccupatio

3、ncontinuesthetraditionofmedieval，andpainting，sculptureisregardedasmechanicalskillsAlthoughmostofthemstillcannotgetridofartisan’Sidentitybuttherisingofsomegreatartists’statusarosetheothersthesamedesireTheartistsmadetheirn

4、ewimagesbytheselfportraitsTheseselfportraitsalseflecttheirpursuitofidentity’SchangeTheartistsmadetheirappearanceinthereligiousnarrativepaintingsfirstlyinRenaissance，andthereweretwokindsimagesinthisformTheoneistheartistsw

5、hoappearaswitnessesofreligiousmiracles，theyusuallystandinthestorybuttheireyesseebeyondthescreentotheaudience，theyactasamediaofthestoryandrealworldTheotheristheartistinsteadofreligiouscharactersinthestorytheypreferStLukea

6、ndHolofernes，J0hntheBaptist(themartyrs)andSOtheimageoftheformerrepresentativeoftheartist’ScareerthesecondarestandfortheirfeelingsWitllthegrowthoftheartist’Sselfconsciousindependentselfportraitappearedinthelate15thcentury

7、DuringthisPeriod，thepopularofplanemirrorprovidedthematerialbasisforthedevelopmentofselfportraits，fortheartiststaketheadvantageofmirrorstoimitatingnatureandpaintingselfportraitsSelfportraitsshapedmanyimagesofpainters，scul

8、ptorsandarchitects，andreflectedthechangesoftheirsocialstatusTheseimagesincluded：theartisansofstudioandtheartistsofacademy(artists’vocationandeducation)，independentartists(artistscreativeactivity)，melancholyandelegantimag

9、esoftheartistandtheartists’eagerforhonor(artists’temperamentandsocialstatus)Inaddition，thewomenartists’talenthasbeenwidelyrecognizedbythecommunityinthe16thcenturyandtheyalsocreatedlotsofselfportraitswhichreflectthediffer

10、entimagesfromtheirmalecounterpartsTheywerebothprofessionalwomenartistsandversatile”courtladies”intheselfportraitsUndertheimpactofhumanism，theindependentsel卻ortraitsappearedintheRenaissance，andtheseselfportraitsreflectart

11、ist’Slivingconditions，theirdesireanddreamsFromthebeginningoftheRenaissance，painters，sculptorsandarchitectsusedeccentricimagestodistinguishthemselvesfromordinarycraftsman，buttheybecomedecentandelegantartistsinthemid16thce

12、nturyselfportraitsalsecordedthechangeoftheirsocialstatusFinallytheRenaissance’Sselfportraitsalsoaffectedtheimagesofselfportraitsinthelatertwocenturies，suchasthemelancholyartist，elegantartist，wearingagoldnecklaceartistand