圖像時代的思考——淺析中國當(dāng)代油畫藝術(shù)中的圖像挪用現(xiàn)象.pdf

1、四川美術(shù)學(xué)院碩士學(xué)位論文圖像時代的思考——淺析中國當(dāng)代油畫藝術(shù)中的圖像挪用現(xiàn)象姓名：陳偉紅申請學(xué)位級別：碩士專業(yè)：美術(shù)學(xué)指導(dǎo)教師：魯邦林20050429四川美術(shù)學(xué)院碩士論文 Topic phrase: oil painting ,transfers , picture Abstract We be placed in a sense of vision picture for excrescent abundant ages, be

2、cause of a great deal of incitement, influence of picture ( include the public picture of the modern media manufacturing, past classic picture), our life, even we are to the understanding of the others an

3、d the world, all can not get away from the picture. Exactly the expression of the picture is most directly and influence. And the relation of the picture and culture, society and the history affairs is close. Be i

4、ts ages to keep the view witness, the picture had the matchless and important meaning. In the oil painting art creations of contemporary China, appeared more and more artists transferring the ready-made and pu

5、blic picture directly to carry on their oil painting art to create. We discover to transfer the picture directly of to carry on the oil painting creations is a kind of newly arisen oil painting creations mode throug

6、h the new circumstance, other arts influence to the international culture of appear this phenomenon, the oil painting development, Chinese oneself actuality of the current oil painting condition, and the oil paint

7、ing oneself development demand and analytical dissect etc. Emergence of the phenomenon has its inevitability. Compared with the traditional oil painting creations mode-- the persistence“ the art from the live “

8、. Obtain to the art the first resources and material directly from the life ,then carry on the art creations .), mode of transfer the picture to the oil painting creations have itself the different characteristics

9、 directly: Correspond the actuality from the angle of the sociology and the culture study, to establish own subjective frame and become own subjective idea. Then correspond to order to settle on the public pict

10、ure. The public pictures that have already existed are directly choice and transferred to carry on the oil painting creations and to express the artist’s idea. These two kinds of oil paintings creations mode have

11、 no superiority essentially or to wrong cent. They only are to just create the art to correspond some dissimilarity: The mode of traditional oil painting creations settles the life in order to corres

12、pond the point, but the mode of transfer the picture directly to oil painting creations settle on the ready-made and public picture. These two kinds of oil paintings creations mode are all worthy of i

13、nitiating and making use of. Also only when we have not divide the superiority ground , make good use of and right make use of( firstly, persistence the creations mode of“ the art from the live “ demand we to

14、have a great deal of time to carry on understanding, know and choose life. We must carry on concentrated but are not to limit at to face of one of life. If we create the oil painting through the ready-mad

15、e and public picture directly, are must avoid abuse picture, avoid for the picture but pictures and for the style but pictures. We should correspond the actuality, pay attention to the life, the societ

16、y and mankind's oneself from the angle of the sociology and the culture study morel), then can promote the oil painting art develop, result to expand the new development space of the oil pain