瞿希賢合唱作品中復(fù)調(diào)手法的應(yīng)用.pdf

1、河南大學(xué)碩士學(xué)位論文瞿希賢合唱作品中復(fù)調(diào)手法的應(yīng)用姓名：徐冬艷申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：音樂學(xué)指導(dǎo)教師：崔鴻斌2001.1.1AbstractThehistoryofthecreationofmodemChinesespecializedmusicisinfactaculturalpro—cessofChinesecomposers’creationanddevelopmentofChinesenationalmusicOilthebas

2、isofcontinuousabsorptionofWesterncomposingtechnique]hisprocessrevealsthecloserela—tionshipbetweenthedevelopmentofChinesemusicalcreationwiththeabsorptionofpolypho—nytheoryandtechniqueinwesternmusicandthedevelopmentofpolyp

3、honythoughtQuXixianisafamousfemalecomposerinChinaHercomposingcarecr8pansmorethanhalfacenturyDuringthisperiodshehascomposedandrearrangedalargenumberofmo、ringandwidelylovedchorussongs3histhesistakesherworksassubject，analyz

4、es，clas—sifies，comparesandconcludestheapplicationofcontrastpolyphony，mimicrypolyphonyandheterophonyinqu’SchorussongsThisthesispointsoutthatinQu’Sworks，polyphonythoughtforstructuralorganizationandthematicpresentation，thea

5、pplicationofpolyphonytechniqueforthemoldingofmusicalfiguresandtheexpressionofemotions，allhaveactiveandfavorableartisticeffectTheyhavebecomeimportantpartsinQu’SmusicalstyleMeanwhile，polyphonytechniqueinQu’sworl(shasnotonl

6、yusedtherichpolyphonyskillsintheworksofEuropeanclassicmusicalmastersbutalsoinheritedthemulti—voiceprincipleinChinesefolkmusicInhermusicalpractice，QuadherestousingWestemtechniqueinthecreationofChinesemusicSheeffec—tivelyc

7、ombinesChinesemelodythoughtwithWesternpolyphonytechnique，thusachievingtheunificationofcontentandformandestablishingheruniquemumcalstyleofChinesecharacteristicsQu’Smusicalcreationprovidesvaluableexperiencesforthecreationo