論周碧初靜物畫(huà)的藝術(shù)風(fēng)格.pdf

1、上海大學(xué)碩士學(xué)位論文論周碧初靜物畫(huà)的藝術(shù)風(fēng)格姓名：蔡傳濤申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：美術(shù)學(xué)（架上繪畫(huà)研究）指導(dǎo)教師：董啟瑜20100401上海大學(xué)碩學(xué)位論文ABSTRACTZhouBichuwasoneoftheoilpainterswhowereChinesefirstbatchofstudentsstudyinginFranceintheearly20thcenturyHehadseriouslybeenimpactedbyhismen

2、torandanumberofotherpaintersHismentorwasErnestLaurentwhowasanimpressionistoilpainterInthepast70yearsofpaintingcareerhemostlyfocusedontwoaspectsoflandscapeandstilllifeinhispaintingsubjectsHisstilllifepaintingsrootedinChin

3、eseculturesoilandhisartisticstylewasuniqueinthecountryHepainstakinglypracticedpaintingcompositionandcalligraphyformHechanged“painted’’to‘write”cleverlydealingwiththepaintingofthe‘picture’’and“background’thedepthofcolor，t

4、ransformingtherelationshipbetweencoldandwarlncolorsHeimmersedinthe“non—mains仃earnart”allalonghislifetimepursuingabsolutepurebeautyintheformoflanguageitselfandapurelyvisualbeautyofthepicturetoenjoyManyoftheaestheticideasb

5、eingpursuedweresimilartoimpressionisticartHefoundapurelylinguisticformofpainting，whichwashisownandapartof”nonmains仃eampainting”一ItwastheintegrationofimpressionistpaintingaestheticphilosophytraditionalChinesepaintingschoo

6、lofthoughtShanghaischoolcultureandNationalFolkNativeCultureInitslongprocessofintegrationofEasternandWestempaintingart，ZhoubichumadeeveryefforttocarryoutarevolutioninthelanguageofChineseoilpaintingsInthepurityofthelanguag

7、eexpressionofpaintinghemeltintothevisualelementsofthelanguageofOrientalArt—thepurevisualpursuitofgraphictechnologyanddecorativebeautyInhislifehewasproficientinEasternandWestemculturesArateofstilllifepaintingswerewithaloc

8、alflavorandnationalintelligenceItwasofpositivesignificanceforUStostudytheissuesofexternaloilpaintingrootedinChineseculture，thelocalizationofpaintinglanguageandtheintegrationofChineseandWestemCultureKeywords：ZhouBichu，Sti