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1、西南大學(xué)碩士學(xué)位論文目錄摘要..................................................................……lAbstract.................................................……,......……11文獻(xiàn)綜述..…,.....................................................……1緒論.

2、................................……,.........................……31.關(guān)于選題....……、..................................……,.....................................................................……32.物質(zhì)之“碑”、“帖”與風(fēng)格之“碑”、“帖”............

3、...……,...................................……,…42.1“碑”、“帖”的本義.........................................................................................……52.2“碑”、“帖’,概念的泛化與模糊.........................................……52.3從風(fēng)格

4、上區(qū)分—“碑派”之“碑”與“帖派”之“帖”...............……,....……72.4“碑”、“帖”范圍及定義..............................................................................……123.研究方法及說(shuō)明..........................……,二,.…,.…,,,…,,,.……,.....................

5、.……,...........……13第1章著眼干點(diǎn)畫的審美比較...........……,..........................……11.1豐實(shí)與虛和....................................……,........................................……,..…,...……,,,,…‘二,…11.1.1豐實(shí).............................

6、.....................................................................................……11.1.2虛和..............……,.........................................……,......................……,................……71.1.3小結(jié).............

7、..……,…,...........……,..........……,...................................................……111.2厚重與飄逸..........................................................................................................……,.…121.2.1厚重...

8、.............................................................................................................……121.2.2飄逸....................................................................................................

9、............……181.2.3小結(jié)..............................................................……、...........................................……20第2章著眼干字形結(jié)構(gòu)的審美比較.................……,...............……212.1茂密與疏朗.......................

10、........................................................................................……212.1.1茂密...........................……,....................................................................……,...……212.1.2疏朗......

11、..........................................................................................................……222.1.3小結(jié),...........................……,........................................................................

12、.....……262.2方整與圓美.............................................................................................................……272.2.1方整...................................................................................

13、.............................……272.1.2圓美...........................……、.……,......................................................................……312.1.3小結(jié).................................................................

14、...............................................……34第3章著眼于風(fēng)神的審美比較...........................................……353.1縱逸與含蓄.....................................................................................................

15、..........……353.1.1縱逸.,二,,,.…,.................……,...……,..................................................................……353.1,2含蓄..…,.,.,,…,二,.,,..…,,.…,,,................................……,..........................

16、..........……423.1.3小結(jié)..............……,,,..…,…,.…,.,,,.……,.,,..…,…,,.....……,二,..............................……433.2妞動(dòng)與靜穆...................................……,.…,.....……,.......……,,……,..…,…,,...................……433.2.1一妞動(dòng)

17、...............................................................……,...……,…,..............……,...……,…433.2.2靜穆......................................................................................……,...................……483

18、.2.3小結(jié)................................................................................................................……51結(jié)論..........……,...............................................……53參考文獻(xiàn)............................

19、.................................……56致謝..........................................................……,……59西南大學(xué)碩士學(xué)位論文ComParativeResearchonAestheticalIdeologyofBeiSehoolTieSchoolinLateQingDynastyGraduatestudent:ZhangYunjiTut

20、or:CaoJianProfessorAbstraCtThisthesis15abouteomParativeresearehonesthetiealideologyofBeisehoolandTieschoolinlateQingD戶asty.ThelateQingDynasty15anePitomizingPeriodofstone一inseriPtionstudiesdeveloPme爪,inwhiehwhether“Venera

21、tionofBei,,or“VenerationofTie,,tumediniofoeusoffiercedebate.Andthesubstaneeofdebate15duetoeonfroniationofaesthetieconcePts.Thisthesis15心onstitutedofthreeehaPterswhiehseParatelyemPhasizesonthreelaysofstrokes,constructiona

22、ndverveofChineseeharacters.SixeouPlesofkeyword,filteredamongnumerousaesthetiewoulsfromlateQingDynastyealligraPhyliterature,seParatelyunfoldeomParisonbetweenealligraPhieaesthetieeoneePtsof“BeiSehool,,and“TieSehool,,,tofin

23、dtheeommonanddiffereneebetweenthemaswellasdeePsoeialandidealistiesoureehiddenb比indtheeommonanddifferenee.Throughreseareh,it15foundthataesthetieconeePtsof“BeiSchool,,and“TieSchool,,arenotdiametricallyoPPosed,buttheyhaveal

24、otincommon.AndthedifferencemainlyliesinthefollowingthreeasPects,distinetextraemPhasisonaesthetiestyle,differentlocationsofaesthetiestylefet即eandProPortionsofvariousaesthetiestyles.Theseeommonanddiffereneeofaesthetieeonce

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