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1、東南大學(xué)博士學(xué)位論文敦煌變相與變文姓名:于向東申請(qǐng)學(xué)位級(jí)別:博士專業(yè):藝術(shù)學(xué)指導(dǎo)教師:張道一20030501AbstractTransformationimageandBianwenaretwokindsofimportantancientChineseartforins№ntheyinitiallyappeare正bothwererelatedtoBuddhismAtiertheTangDynastythesetwoartfoITnS
2、reachedarelativelymaturestageandexercisedfarreachinginfluenceuponlaterpopularartNomatterhowoneexaminesthematterfromthehistoryofliteratureorfromthehistoryofan,bothTransformationimageandBianwenhaveimportantValBeworthstudyi
3、ngTheinteractionofTransformationimageandBianwenonBuddhismcomesoutmainlyintheseways:first,bothTransformationimageandBianwencallbecalled“Bian”asthemeansofBuddhismconversionSecond,wheninterpretingandsingingBuddhistBianwenth
4、eyoftencoordinatedwithTransformationimageThird,withtheprevalenceofBuddhistBianwen,someTransformationimageappearedthatwereproducedaccordingwithBianwendirectlyinthegrottoAsfarastherelationshipⅥthBianwengoes,DunhuangTransfo
5、rmationimagearerepresentativeofa11theTransformationimagehandeddown0ntheonehand,someofDunhuangTransformationimagewereproducedindirectCOOrdinationwithBianwenrecitationandsingingsuchaSp4524Ontheotherhand,manyfrescoeswerepro
6、ducedaccordingwithBianwen,buttheyWerenotusedtoaccompanytherecitationandsingingof8ianwenComparativelywhileDunhuangTransformationimageWaSinfluenceddirectlybyBianwentheirinfluencebackuponBianwenwasmostlyind曲ctAcademicresear
7、chersdividetheDunhuangTransformationimageintotwostagesinaccordancewithTibetdominationperiodComparedtotheTransformationimageoftheearlierperiodtheoveralIcharacteristicofIaterDunhuangTransformationimageartarethedramatizatio
8、nofmaterials,thes巧lizadonoffoFItISandthepopularizationofcontents111esewereevidetatinTransformationimagesuchasAssaultandTemptationoftheBodhisattiafightbetweenSa—f細(xì)utraandRandiaksaduringtheRegimeoftheGulyiArmyTherearemanyr
9、easonsfortheadoptionofthesecharacteristicsForexample,theinfluencefromBianwenmaybeonereasonnlerearemainIythreekindsofDunhuangTransformationimagerelatedwithBianwen:picture—storybookstyle。screenstyle,andsutr口一ralustrasonsty
10、len此thesisdiscussestheoriginoftheseTransformationimageAtthesametime,itexpoundstheseveralpointsofrelationshipbetweenTransformationimageandBianwenonebyoneAsthetwokindsofBuddhistartisticforms,DunhuangTransformationimageandB
11、ianwenwerecontinuouslyinfluentialincarryingouttheirroleaSameansofconversionAtthesametime,mcyalSOgrewmoreandmorevulgarastimewenton;thisdeclineacceleratedthedisappearanceofBianwenandledtothebreakdownoftherelationshipbetwee
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