寫形神之妙創(chuàng)一代古韻——陳洪綬人物畫意象造型的藝術(shù)特色

1、 碩 士 學(xué) 位 論 文 ( 學(xué) 術(shù) 學(xué) 位 ) ( 學(xué) 術(shù) 學(xué) 位 ) 論 文 題 目： 寫形神之妙 創(chuàng)一代古韻 論 文 題 目： 寫形神之妙 創(chuàng)一代古韻 —陳洪綬人物畫意象造型的藝術(shù)特色 陳洪綬人物畫意象造型的藝術(shù)特色 學(xué)科專業(yè)名稱 學(xué)科專業(yè)名稱 美術(shù)學(xué) 申 請(qǐng) 人 姓 名 李蒙雪 指 導(dǎo) 老 師 宋豐光 教 授 美術(shù)學(xué) 申 請(qǐng) 人 姓 名 李蒙雪 指 導(dǎo) 老 師 宋豐光 教 授 論

2、文提交時(shí)間 論文提交時(shí)間 2015 年 5 月 14 日 2015 年 5 月 14 日 單 位 代 碼 10445 學(xué) 號(hào) 2012020557 分 類 號(hào) J206 研 究 生 類 別 全日制 目錄 中文摘要··················&

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7、;········I ABSTRACT···························

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17、1 一、生有底蘊(yùn) 穎悟絕倫—少年時(shí)期·································

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19、#183;································2 二、凄風(fēng)苦雨 仕途失意—中年時(shí)期

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22、·····························3 三、削發(fā)為僧 遁世絕俗—晚年時(shí)期····

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25、;·························3 第一章 陳洪綬人物畫意象造型的淵源········&

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28、83;·························5 第一節(jié)“意象造型”的釋義·········

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32、;····5 一、“意”—主觀抽象性······························&#

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35、3;···············5 二、“象”—客觀具象性···················&

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38、83;··························6 第二節(jié) 師承古人，博取精髓 ·······

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42、83;··7 一、品“顧、陸”用線之妙，清柔高古·······························

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44、3;·····················7 二、看唐人仕女之態(tài)，力追古意············

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47、··················8 三、取“公麟，子昂”之法，汲取營(yíng)養(yǎng)···············

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49、#183;·································10 四、學(xué)“青藤”性情，率真灑脫

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52、183;···························12 第二章 陳洪綬人物畫意象造型的審美體現(xiàn)及特征····

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55、·14 第一節(jié) 重神寫形，非似絕似·································

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60、3;························18 一、高古奇譎，夸張變形—造型特征·········&

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63、83;········18 二、線條方圓，裝飾素雅—用線特征·························

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65、3;·····························21 三、清新古雅，若淡若無—設(shè)色特征····&

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68、83;·············25 四、借物寓意，存乎性靈—立意特征····················

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70、3;··································26 第三章 陳洪綬意象造

71、型對(duì)時(shí)下人物畫創(chuàng)作的啟迪··································

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73、183;·······30 第一節(jié) 意象造型觀外在風(fēng)格之革新·························

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76、·30 第二節(jié) 意象造型觀內(nèi)在精神之影響································&#

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