現(xiàn)代都市舞臺(tái)上“青衣”氣質(zhì)的旦角——解讀張愛玲小說中的女主角

1、西北師范大學(xué)碩士學(xué)位論文現(xiàn)代都市舞臺(tái)上“青衣”氣質(zhì)的旦角——解讀張愛玲小說中的女主角姓名：姜淼申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：中國現(xiàn)當(dāng)代文學(xué)指導(dǎo)教師：彭嵐嘉2009-06IIIAbstract Zhang Ai-ling is an important modern writers in the history of literature. Her main literary achievement lies in her early sho

2、rt stories written for women and, as a representative of urban literature, the old city of Shanghai and Hong Kong in the opera is very clear in her novels. I chose the most representative part of the strength of Zhang A

3、iling's short story and the hero status, age, personality characteristics are divided into four categories: Actress(The tragedy of women), women's apartment door once, Opera, Shrewish heroine, and on their tradit

4、ional and between the urban modern research on them onto the stage of the “common“ —“ tragedy “ temperament. In this article, in accordance with “ these female with tragic temperament “ The opera and the extended nature

5、 of the role of justice, given the cultural context of its deeper meaning - “tragic figure“ or “tragedy“ so that the more vivid imagery. Hope that through these female with tragic temperament Zhang Ailing research to s

6、tudy the completion of these two cities of Shanghai and Hong Kong in the writing, how to complete the pain of their own psychology than anxious, to explore the urban women in that era between the survival of civilizati

7、on status and unique writing style of Zhang Ailing. In addition to the Introduction and Conclusion This article is divided into five chapters. Introduction is divided into three sections, section I, on the Chinese ope

8、ra in the classification of Actress and “ The tragedy of women “ Image Interpretation, Section II discusses the traditional and the modern in Shanghai and Hong Kong between the old city, Section III outlines the results

9、of research related to innovation and papers. Thesis of each chapter is divided into two. The first chapter focuses on the first section of the city of, The tragedy of women．Section II on the city of modernity and tradit

10、ion to explore two-way choice. Chapter II, section I discussed the sad legend of Opera, Opera is a run-down section II, Analysis of family “groups have been abandoned.“ Chapter III Analysis of women's apartment door

11、once the “decline“ and their social and family is the “victim.“ Chapter IV, respectively, from the desolate Shrewish heroine their life and struggle of the “alienation“ to look into the tragedy Shrewish heroine. Chapter