舒曼c(diǎn)大調(diào)幻想曲中的浪漫主義特征和演奏技法分析

1、 分類號(hào)： 密 級(jí)： 學(xué) 號(hào)： 13001071 西安音樂學(xué)院 申請(qǐng)碩士學(xué)位論文 舒曼《C 大調(diào)幻想曲》中的浪漫主義 特征和演奏技法分析 研究生姓名： 孫璽淼 導(dǎo) 師 姓 名 ： 黃 田（副教授） 論 文 導(dǎo) 師 ： 葉明春（教 授） 學(xué)科專業(yè)名稱 鋼琴教學(xué)與演奏 申請(qǐng)人所在系 音樂教育學(xué)院 論文提交日期 2016 年 4

2、 月 21 日 論文答辯日期 2016 年 5 月 17 日 學(xué)位授予單位 西安音樂學(xué)院 學(xué)位授予日期 2016 年 月 日 答辯委員會(huì)主席 評(píng) 閱 人 西安音樂學(xué)院碩士論文 Abstra

3、ct Abstract Robot Schumann is famously known as an eminent German composer and music critic in 19th century during the romantic period. As a pioneer and innovator in musical field, Schumann has made significant contribut

4、ion to the development of romantic music by his outstanding talent in music and innovative idea about romanticism. He has composed a variety of music works in his life, among which piano works occupy the most significant

5、 place. It reflects his breakthrough and innovation towards traditional ways of creation, by combining new methods and expressing sentimental feelings in the process of composing. This paper makes analyze of Schumann’s F

6、antasy in C Major Op.17 in detail, in order to show the various perspective and special creation method of the composer, as well as provides instructions for performance. There are three chapters in the paper. The first

7、chapter briefly introduces the whole life of Robot Schumann and the age background. The second chapter gives the composing characteristics of Fantasy in C Major Op.17, in terms of melody, rhythm, piano texture form and s