舒曼鋼琴套曲風(fēng)格探析兼及森林情景op.82的教學(xué)探索

1、西安音樂學(xué)院碩士學(xué)位論文舒曼鋼琴套曲風(fēng)格探析兼及《森林情景》OP.82的教學(xué)探索姓名：楊敏申請學(xué)位級別：碩士專業(yè)：鋼琴教學(xué)與演奏指導(dǎo)教師：林珊琳2011西安音樂學(xué)院申請碩士學(xué)位論文 Abstract IIAbstract Robert Schumann (1810-1856) is Europe's 19th century Rom

2、antic music one of the most representative composers, “music Poet“, “divertimento King.“ With the distinctive title of the work, always stay rich romanticism bare, highly literary flavor, show a rich e

3、motional experience, strong in poetry and fantasy. Is the romantic music of Schumann piano divertimento, founder of the title, he will be the nineteenth century the development of piano pieces music rose to new heig

4、hts. Schumann piano divertimento is the most representative music genres, but also laid him in an important position in the history of piano music that he enjoys “divertimento of the King“ in the world. Piano divertime

5、nto “forest scene“ op.82 is the Schumann composed in 1848, is the creative way the late composer, music, the embodiment of emotion. Characterization of nine headline ditty into different music image. In the fir

6、st chapter is devoted to Schumann's music and artistic view of the formation of the growth of environmental factors, the background music of Schumann and art style have a more comprehensive understanding.

7、 The second chapter describes the origins of the piano divertimento, from the “Suite“, “Vocal divertimento“ to “piano divertimento“ overview; talk about Schumann “piano divertimento“, he created the genre of t

8、he aesthetic value and artistic characteristics. On “Childhood scenes“ and “Forest Scene“ to compare studies. The third chapter of Schumann piano divertimento “forest scene“ op.82 1-9 first style of music tracks, and a