秦派二胡的美學(xué)藝術(shù)探究

1、西安音樂(lè)學(xué)院碩士學(xué)位論文秦派二胡的美學(xué)藝術(shù)探究姓名：金路申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：二胡演奏指導(dǎo)教師：金偉2011西安音樂(lè)學(xué)院碩士論文 Abstract IIAbstract Erhu is a symbol of the product of traditional Chinese culture, as a performing art

2、s, if it only refers to simply as a national instrument to play, ignoring the aesthetic principles of theoretical guidance, then either the profound meaning of the works understanding, or emotional melodies and sound per

3、formance and superb virtuoso playing and so will be Ignored. Qin pai Erhu Perspective as a creative performance genre, the immersion for a thousand years of cultural accumulation of soil in Shaanxi Qin, has had several g

4、enerations of workers in Shanxi Erhu practice and tradition, formed its own unique artistic style expression. In the development process, we find that the relevant musical aesthetic theory in its relatively small study,

5、music, music aesthetics as one of the fundamental law of the academic theory of aesthetic disciplines, it involves such a wide range of subjects, for the development of Qin pai Erhu important theoretical significance. Th

6、is paper aims to think the music into the aesthetic theory that the door Qin pai Erhu performing arts school, through a wide range of analysis and discussion of the development of the Qin pai Erhu construction camp will