論世紀之交的無厘頭文化與戲仿文學.pdf

1、上海師范大學碩士學位論文論世紀之交的無厘頭文化與戲仿文學姓名：朱美華申請學位級別：碩士專業(yè)：中國現(xiàn)當代文學指導教師：楊劍龍20070401AbstractThecultureofwnlitouisaverypopularcultureItappearsfrequentlyintheutterancespace，behaviorspaceandestheticspaceofmodempeople，especiallyyoungperson

2、Fromitsuniquenarratingwayanditsuniquemodeofthinkingparodythispaperstudiesparodyliterature，whichistakingwnlitoucultureasitsbackground，analyzesitscharacteristicdiscussesitsinfluence，significanceanddefect11leparodyliteratur

3、eatpresentcanbemainlydividedintotwokinds：dahuaandknsoDahuaunfoldsitslanguagecharmandsecularisthappysufficientlybylanguagecarnivalandthecommonpeoplessightnesubversionthatdahuatolanguagesignificance，makesthemasseswhocreate

4、sthetextsandwhoacceptsthemextricatefromlanguagestandardfetters，andregardlanguageasonekindofpastime，gamefreely；atthesametime，enablesthelanguagetobemorevividandtohavemoreexpressivepowerDahuashowsthetrivialnessandabsurdness

5、oflifethroughparodyingandhasdeepsocietyconnotationnecommonpeoplessightc丑usesthesolemnhistorytomovetowardsbemediocre，theseriousnarrativetrendtobefunnyWhenrestatingontheseclassics，dahuaenlightensusonsuchproblems：whatisaher

6、o、howtotreatclassics、howtotreatentertainment，andsoonKusoisakindofexaggeratedcriticismontherealityshowingintensesolicitudesfortherealityItnotonlydemonstratestheliveswhichalemoreordinary、morewidespreadandmoreridiculous，but

7、alsomanifeststhesubjcctiveinitiativeandtherationalspiritofthekusoflameLButagreatlotofnegativeinformationandcausticcritiqueinthekusotexts，whichoftenmakestherationalcriticismbesubmergedbygivingventtoindignationsubjectively

8、haveseditiouseffectandiseasytoarousepopulace’snon—rationalpsychologyandbehaviorneappearanceandthepopularityoftheparodyliteraturehaveitsuniquesocialbackgroundandculturalenvironmentAsonekindofyouthsubculture，theparodyliter

9、aturehassubvertingintentiontoauthorityandholiness，butjnstakindoflimitedsubversionand“theresistancethrou曲outrituals”Ithaspouredintothefieshbloodforthemainstreamculturenecultureofwulitouandtheparodyliteraturemaycontinuedev