論畢加索的繪畫(huà)美學(xué)思想.pdf

1、陳穎論畢加索的繪畫(huà)美學(xué)思想目錄中文摘要2英文摘要3引言41畢加索繪畫(huà)美學(xué)思想形成的基礎(chǔ)611生活背景612哲學(xué)和美學(xué)背景913藝術(shù)領(lǐng)域發(fā)展背景102丑學(xué)的興起與發(fā)展1221丑的興起過(guò)程1222丑在現(xiàn)代美學(xué)領(lǐng)域的發(fā)展1423丑在藝術(shù)領(lǐng)域與實(shí)踐中的體現(xiàn)153審丑觀在畢加索繪畫(huà)作品中的體現(xiàn)1831丑的界定1832丑在畢加索作品中的凸顯1933畢加索繪畫(huà)作品中丑的表現(xiàn)方式214丑與畢加索的主要繪畫(huà)美學(xué)思想2641反對(duì)學(xué)院派的美2642主張“像孩

2、子那樣畫(huà)畫(huà)”2643“我感興趣的是丑”2844反對(duì)藝術(shù)模仿自然3045“畫(huà)乃是摧毀的結(jié)果”3246關(guān)于“潛意識(shí)”34結(jié)語(yǔ)37參考文獻(xiàn)38致謝40攻讀碩士學(xué)位期間發(fā)表的論文41揚(yáng)州大學(xué)學(xué)位論文原創(chuàng)性聲明和版權(quán)使用授權(quán)書(shū)42陳穎論畢加索的繪畫(huà)美學(xué)思想Abstract3一PabloPicasso’SpaintingthoughtsWaSformedinthecertainsocialandculturalcircumstanceof20tll

3、centurymeanwhile，theemergenceofirrationalismalsoinfluencedhim，thushispaintingmovedtowardsantitraditionMoreimportantlyPicasso’SpaintinghadcloseconnectionswitllthedevelopmentoftheaestheticsofuglinessThisessayfocusesontheap

4、preciationofugliness，combines晰thPicasso’Spaintings，analyseshispaintingthoughtsfromtheperspectiveofuglinessFirstly，theessayexpoundsthebackgroundofhislife，presentsthenewchangesinthefieldofphilosophyaestheticsandartThesefac

5、torsaletheobjectivebasisofPicasso’SpaintingthoughtsInthesecondchapteritdescribesthedevelopmentofuglinessanduglinessinmodemaestheticsandartisticpracticeInthethirdchapterbasedonthetheoryofdiscord，itanalysesuglinessinPicass

6、o’Spaintings，anddifferenttechniquesthatheusedinordertoexpressuglinessInthefourthchapteritelaboratesPicasso’Spaintingthoughts，whichalethesourceofcreatinguglinessFinallythisessaysumsupPicasso’Spaintingideas，andanalysesthei