論40年代中國(guó)文學(xué)的通俗化與先鋒化_41872.pdf

1、河北大學(xué)碩士學(xué)位論文論40年代中國(guó)文學(xué)的通俗化與先鋒化姓名：任冠中申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：中國(guó)現(xiàn)當(dāng)代文學(xué)指導(dǎo)教師：陳黎明20090501AbstractAbstractOneofthefeaturesofthe40’SChineseliteratureisthedualofpopularizationandpioneeringoncreativetrendInthetwotrends，thepopularizationofthecrea

2、tivetrendsaccountedforadominantpositioninChineseliteratureinthe1940sonthecombiningoftripleforceofthecallofthetime，theoryguidingandthelackofindependentsenseofWriters，whichdeterminedthe40’SthebasictrendofChinese1iteratureT

3、mScreativetrendinthe40’ShadtheformofwarfarmersandcitizensItnotonlyadjustsitselftothepopulationonlanguage，formandcontent，butfitfortheopinionofvalue，psychologyofcultureandaesthetichabitofwhichrealizethepopularizationoflite

4、ratureinthe1940sOntheotherhand，thepioneeringcreativetrendiscausedforthewriters’writingfollowingtheheartSothereisabiggapwiththerequirementsofthetimesTherefore，the40’SthepioneerofChineseliteraturecreativetrendsaremostlybes

5、eenasanaltemativewrittenwhichwasinexistenceatthattimetheedgeoftheliterarysceneJustthealternativeexistenceformmakesthe40’SthepioneerofChineseliterarycreationtrendsshowitisaformoftradeoffSpecifically，therearethreemainnorms

6、oftradeoff：onages，ononeselfandonaestheticThiscreativetrendhadbeenregardedasheresybythecriticismduringaverylongtime，butitstoughnessinsistsitrunsthroughthe40’SofChineseliteraturePopularizationandpioneeringcreativetrendsnat

7、urallyhavebothharvestandmissingintheChineseliteratureatthe40’SInthistrendthegettingtogetherandmutualintegrationofthetwotrendsnotonlyeasedthelong—standingantagonismbetweenthepatternsofelegancetoalargeextent，butalsomarkeda