中國傳統(tǒng)文化背景下的色彩審美衍化

1、分類號： 密級：UDC UDC： 學(xué)校代碼：11065碩 士 學(xué) 位 論 文中國傳統(tǒng)文化背景下的色彩審美衍化 中國傳統(tǒng)文化背景下的色彩審美衍化趙明一指 導(dǎo) 教 師 王 瑞 榮 副 教 授學(xué) 科 專 業(yè) 名 稱 設(shè) 計(jì) 藝 術(shù) 學(xué) ( 平 面 )論 文 提 交 日 期 2016.04.18論 文 答 辯 日 期答辯委員會主席AbstractThe participation of the existence of any things c

2、annot leave the colour, as animportant part of art works, even if it took all the audience aesthetic change during theperiod of different, but always has a pivotal position. Color while it is possible to becomean indepen

3、dent artistic language exist alone, but if from the support of a specific culture,it is difficult to and as an aesthetic subject, produce emotional resonance. The traditionalculture of China, however, in the time span an

4、d content in both width determines thederivation process of colour aesthetic needs must experience a long stage.Human understanding and utilization on color has a long history, color as for humanvisual sense of the most

5、exciting force factor, in recent years more and more get the finearts class related practitioners, especially the attention of the designers, but the industryfor the exploration of colour aesthetic derivation are few and

6、 far between. Based on thisbackground, study the change of colour aesthetic, through the development direction oftraced back for quite a long time, probe into its behind the related laws, it has extremelyimportant theore

7、tical and practical significance.For colour aesthetic derivation of Chinese traditional culture under the backgroundof research, the paper will be the color preferences of each historical period, induces itsand different

8、 deep relations between mainstream culture and the social environment,combining the questionnaire has recycled the summary of the data, analyze the colour oftoday's audience aesthetic tendency, in order to unearth th

9、e universality of the modernsociety is feasible in terms of colour is applied law, at the same time for the domesticcolor direction of modern design to provide the corresponding facts. Reason at this stagein the colour a

10、esthetic of greater openness and gradually show the design of the coloringproblem, also put forward some opinions and Suggestions. This paper is to research inthis thesis is to hope to borrow from colour is looking for c

11、lues in the historical evolution,not limited to formation neither from its traditional culture and joint frontier timesscientific idea of coloring.Key words: traditional culture；aesthetic derivation；differences；applied f