林徽因創(chuàng)作與中國(guó)傳統(tǒng)文化

1、河北師范大學(xué)碩士學(xué)位論文林徽因創(chuàng)作與中國(guó)傳統(tǒng)文化姓名：趙慧靜申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：中國(guó)現(xiàn)當(dāng)代文學(xué)指導(dǎo)教師：張俊才20100405IVAbstract Lin Huiyin learn both Chinese and Western, she has a deep cultivation in literature, art, architecture, so she has written a brilliant chapter i

2、n modern Chinese literature, history and architectural history. Although deeply influenced by Western culture, but Lin Huiyin still maintained traditional Chinese thought and culture, traditional arts, traditional poetic

3、s endless enthusiastic feelings. This paper attempts to from the Chinese traditional culture to the point of Lin Huiyin cut into the impact of literature, analysis of Lin Huiyin how through different stylistic (poetry, n

4、ovels, prose, drama) to realize the creation of the Chinese traditional culture, arts inheritance, transformation and integration, as well as by how The combination of Chinese and Western artistic point constructed to ac

5、hieve nationhood. The main part of the paper is divided into three chapters. Chapter one, combing Lin Huiyin literature as embodied in the traditions of Confucianism, Buddhism, Taoism three ideological and cultural inh

6、eritance and integration, and strive to faithfully restore Lin Huiyin implied in the traditional cultural elements, thereby Lin Huiyin spiritual values have a clear look at. Lin Huiyin creates of the Confucian sense of e

7、xpression, indicating she did not really detached from social reality, she is still affectionately watching the nation's peril and the joys and sorrows of civilians. His creates reveal the natural landscape, human na

8、ture and the “true“ theory and creative pursuit, that is the aesthetic nature of the Taoist ideal of respect for the inheritance and integration. Lin Huiyin to practice Zen way of life are penetrated and beyond on it, sh

9、owing by the philosophy of creating awareness of the important intrinsic, namely, the living conditions of individuals and mankind in its scope. Chapter two discusses the Lin Huiyin from the traditional architecture and

10、 the art of painting to absorb nutrients, the literature and architecture, painting and sharing the art of literature and the creative value of the performance of the experiment. The fist section of chapter two discusses

11、 the Lin Huiyin's poetry, novels draw on China's ancient architecture and aesthetic characteristics of physical modeling and introduce ancient Chinese architectural symbols into the text, prompting a new form of

12、literature continue to emerge. The second section of chapter two discusses the different literary Huiyin against the use of traditional painting techniques of line drawing, as well as images to create beauty and artistic

13、 conception of beauty reflects the modern traditional Chinese aesthetic return. Chapter three, by Lin Huiyin as a platform for integration of traditional Chinese techniques anchored the West, from the traditional poetic

14、s of communication with Western symbolism, stream of consciousness localization, film montage put together body with the traditional combination of three aspects are discussed in Western literature, Lin Huiyin artistic h

15、eritage and choose to take in, integration and reconstruction of Chinese classical literature and modern Western literature and interoperability of the Department, the efforts to create national characteristics of the co