閔惠芬與二胡“聲腔化”藝術(shù)

1、單 位 代 碼 10445 10445學(xué) 號(hào) 2014 2014020575 020575分 類 號(hào) J6 J632.21 32.21研 究 生 類 別 研 究 生 類 別 全日制碩士 全日制碩士碩 士 學(xué) 位 論 文論 文 題 目 閔惠芬與二胡“聲腔化”藝術(shù)專業(yè)學(xué)位名稱 專業(yè)學(xué)位名稱 音樂(lè) 音樂(lè)與舞蹈學(xué) 與舞蹈學(xué)申 請(qǐng) 人 姓 名 李巧瓏 李巧瓏指 導(dǎo) 教 師 劉天浩 劉天浩 副教授 副教授論文提交時(shí)間 論文提交時(shí)間 2017 201

2、7 年 5 月 10 10 日山東師范大學(xué)研究生院山東師范大學(xué)碩士學(xué)位論文目 錄中文摘要 中文摘要····························

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4、#183;·····················1Abstract Abstract············

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7、#183;·3引言 引言··································

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9、83;······················5第一章 第一章 閔惠芬的大師成功之路 閔惠芬的大師成功之路·········&

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11、;·········· 8第一節(jié) 世家：遺傳+氛圍························&

12、#183;································· 8第二節(jié) 專家：天才+勤奮

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14、#183;···················· 9第三節(jié) 雜家：學(xué)習(xí)+創(chuàng)作·············

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16、#183;······11第四節(jié) 大家：繼承+發(fā)展···························

17、83;···························· 12一、社會(huì)文藝思潮對(duì)閔惠芬藝術(shù)生成的影響····

18、83;·······················12二、閔惠芬對(duì)二胡事業(yè)所作出的貢獻(xiàn)··········&

19、#183;··························15第二章 第二章 二胡 二胡“聲腔化 聲腔化”藝術(shù)初步探索 藝術(shù)初步探索···

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21、183;·····18第一節(jié) 二胡“聲腔化”藝術(shù)的定義····························

22、···············18第二節(jié) 二胡“聲腔化”藝術(shù)的前提條件··················&#

23、183;··················18一、音樂(lè)的模仿性················&#

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25、········ 18二、音樂(lè)與語(yǔ)言的關(guān)系··························

26、83;····························19三、二胡音色特征······

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28、#183;················· 19四、傳統(tǒng)與歷史淵源·················

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30、83;···· 19第三節(jié) 展望二胡“聲腔化”藝術(shù)的未來(lái)發(fā)展····························&#

31、183;··19一、回歸中國(guó)傳統(tǒng)民族音樂(lè)的母語(yǔ)語(yǔ)境·······························

32、;···19二、符合世界音樂(lè)文化的巨大發(fā)展潮流······························&#

33、183;···20三、中國(guó)傳統(tǒng)音樂(lè)的未來(lái)挖掘潛力無(wú)窮······························

34、;····21第三章 第三章 二胡 二胡“聲腔化 聲腔化”藝術(shù)的突出代表作品 藝術(shù)的突出代表作品·························&#

35、183;·········· 22第一節(jié) 作品的分類························

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37、3;··· 22一、根據(jù)聲腔改編移植的作品······························

38、3;···············22二、利用潤(rùn)腔的創(chuàng)作技法新作品··················

39、3;························22三、閔惠芬二度創(chuàng)作的作品··········

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41、3;··23第二節(jié) 閔惠芬三個(gè)表演藝術(shù)巔峰·······························