陶藝之“魂”——論中國陶瓷藝術(shù)人文精神

1、分類號(hào)： 密級(jí)： UDC： 學(xué)校代碼： 碩士學(xué)位論文 陶藝之 陶藝之“魂” —— ——論中國陶瓷藝術(shù)人文精神 論中國陶瓷藝術(shù)人文精神 劉澤藝 劉澤藝 指 導(dǎo) 教 師

2、 許雅柯 教授 學(xué)科專業(yè)名稱 設(shè)計(jì)藝術(shù)學(xué) 論文答辯日期 2015 年 6 月 3 日 Abstract The ceramic art has a long history in China, thousands of years of development are accompanied by a profound humanistic spirit, the acc

3、umulation of the history make humanistic spirit seeped into the heart of the ceramic art, it has become a “soul“, unable to pull away. The connotation of humanistic spirit has three sections: culture, science and the art

4、s. If the contemporary ceramics want to progress, it must be decided by this three sections as breach. The humanistic spirit as a cornerstone,Carry forward the Ceramic art could not disengage it, so often there is a sign

5、ificant improvement of Chinese ceramic art, the influence of the humanistic spirit destine behind it. Today, there are still some significant defects in the Chinese ceramic art, nevertheless, if pottery to an even better

6、 place, the top priority should be to inherit and develop the humanistic spirit, pursuing the true human nature and set out again when back to the beginning. Keywords: Humanities; humanistic spirit; aesthetic; pottery; t