風(fēng)格語(yǔ)境下看喬托的藝術(shù)成就

1、河南大學(xué)碩士學(xué)位論文風(fēng)格語(yǔ)境下看喬托的藝術(shù)成就姓名：劉洪濤申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：美術(shù)學(xué)指導(dǎo)教師：黃瑞欣2011-05VI ABSTRACT ABSTRACT People’s consciousness on style developed a long and complex process from sprout to deliberate creation. Style itself is unified in conten

2、t and form, thought and art of works of art. The Renaissance witnessed more awareness of style. People are impressed by Giotto's works which are composed of the compound models in accordance with the aesthetic taste

3、s about the 13th century. They are harmoniously internalized but clearly distinguish from other styles. This is the initial motivation of the author of the thesis to choose analyzing Giotto and his works. The formation o

4、f Giotto style is the manifestation of the maturity of his personal artistic development in his times. However, people’s attitudes towards Giotto’s artistic achievements and the “Giotto style“ are changeable. Admittedly

5、, scholars’ attitudes have been relatively objective in the following centuries. Among the studies on art history, the author of the thesis mainly focuses on Wolfflin’s study on style change. His gains a unique explanat

6、ion and description to the style change and his five pair dialectical concepts are of great significance to the study of the thesis. Taking people’s increasing awareness on style as the background, the thesis is targetin

7、g at explaining Giotto’s style in the area of painting and criticism since the early Renaissance. Therefore, the main part of the thesis tentatively employs Wolfflin’s theory on style to interpret the works of Giotto and

8、 identifies his style. In the writing, the author of the thesis gives emphasis on some of the elaboration and application of Wolfflin’s five pair concepts rather than giving equal importance to the whole. The thesis, at