韓國(guó)電影的敘事模式和文化內(nèi)涵.pdf

1、上海師范大學(xué)碩士學(xué)位論文韓國(guó)電影的敘事模式和文化內(nèi)涵姓名：歐陽(yáng)劉佳申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：文藝學(xué)指導(dǎo)教師：賈明20050501AbstractFrommid90sinthe20“centurytheKoreanfilmhasassumedaprominentstatusinquantityboxoficeandawards.IthasinitiatedafeverforKoreanfilmintheglobalfilmcircle.Sh

2、owingstronginterestinthisphenomenonmanyscholarsengagedintheresearchoffilmandculturefrombothhomeandabroad.Howeverthepreviousstudymainlyfocusedonsuchmaterialaspectsasfilmtechnologymarkingstrategypolicysupportandcapitalinve

3、stmentsomeapproachfromthefilmhistory.Wearemostlyusedtostickonexternalstudyonefectofeconomypoliticsanddevelopmentoffilmhistoryandsinglestudyaccordingtostyleanddirector.Theworksofartweusedtostudyhavebeendatedbecausetheycam

4、eupintobeingfrom80stoMid90sinthe20century.Thepaperscannotregardsomeexcelentfilmssincetheendof90sasawhole.Thisthesisisgoingtosearchtheangleofviewandobjectinstudywhichpreviousstudyhadneglected.Thisthesisincludesfourchapter

5、s:theformertwochaptersfalltopayingattentiontopluralisticstyleof“TheKoreanfilm“byhumanism.Mutualnarrativemodesarecontainedinmanymaterialworksofart.Theyaresortedandconformedbyme.Iamgoingtoanalyzenumerousfactorsfrommanywork

6、sofartsthemselvesforexamplethemeandskill.Thelattertwo比apterswouldinducecultureconnotationmacroscopicalyembodiedintheworksofart.Iamgoingtoplanonanalyzingadvancementandharmoniousnessinpracticalruleandentirenessandsymmetryi