為“藝”謀，還是為“稻梁”謀——從《英雄》看張藝謀的電影理想及其對(duì)中國電影的啟示.pdf

1、浙江大學(xué)碩士學(xué)位論文為“藝”謀，還是為“稻梁”謀——從《英雄》看張藝謀的電影理想及其對(duì)中國電影的啟示姓名：童燕申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：中國現(xiàn)當(dāng)代文學(xué)指導(dǎo)教師：鄭淑梅20060520浙江大學(xué)碩士學(xué)位論文BeforArt，orforCommerce——rIheCinematicIdealofZhangYimoufromStudyingtheandtheRevelationtotheChineseFilmfromtheIdealAbstrca

2、t：ZhangYimoudevelopswithchinesefilm，experiencingchangesonceandagain，andbecomesanalivesamplewitnessingthedevelopmentSowetrytostartwiththefilmidealofZhangYimouwhoisarepresentationaldirectoraRentthecontentandessentialoffilm

3、ideal，inspectthetrackofchanges，analysethecauseofformation，anddosomestudyandexplormentwithZhangYimouandtheenvironmentofchinesefilmWhentheswordsmenfilmwasshownin2002，ZhangYimoubecomeakeywordinthestudyingofcontemporarychine

4、sefilmandthechangesofcontemporarychinesecultureWeknowthefilmidealofZhangYimouelementarilyZhangYimouiIltrojectsthe“art”and“rice”ably“art”isderivedfrominneraspirationandinsistentmentofallartist，and“rice”comesfromtheacceptm

5、entandcompromisewithexteriorasallfilmmakerZhangYimouissucceeded，inwhichasanartist，heisnotaddictedhimselftoexploringcinematicswithoutaudiencesandasacineaste，heisnotbeinpursuitofboxofficeandprofitblindlyneidealofZhangYimou

6、can’tbesumedupas‘beforart，orforcommerce，’simplyWethinkhisfilmsalwaysconflictandsyncretizebetweenartandconllrlerce，inwhichtheruptureandsuturearethenecessaryexperienceforchinesefilmitselfanditalsobringssomeexamplesandrevel