二十世紀八十年代“傷痕油畫”悲劇意識研究.pdf

1、西南大學碩士學位論文二十世紀八十年代“傷痕油畫”悲劇意識研究姓名：袁紅兵申請學位級別：碩士專業(yè)：美術學指導教師：馬一丹20090401兩南人學碩fj學f寺淪文AbstractAStudyontheTragicConsciousnessof‘‘HurtsOilPainting’’in1980sMasterofFineArt：YuanHongbingInstructor：ProfessorMaYidanAbstractThe“Hurts0i

2、lPainting”iSanimportantartisticphenomenonwhichcameintobeingaftertheCultureRevolutionofChina，aimedatexposingandhecklingthetragedyoftheCultureRevolutionThemajorworkswereproducedinthe1atel970sandearly1980sIt’Sanimportantpar

3、tofthe“Hurtstide”andhassignificantsocialimpactThe“Hurts0訂Painting”whichproducedintheCulturalRevolutionwasnotallThe“Hurts0ilPainting”Therearethreecharactersofthe“HurtsOilPainting”：(1)It’Sfulloftragicconsciousnessareviewto

4、thetragicrealistsocietyintheCultureRevolutionorthefateoflifedirectlyoreuphemistically(2)It’Sproducedinthe“Hurtstide”aftertheCultureRevolution(3)TheartforilliSoilpaintingTheoilpaintingthatdoesn’tcontainthethreecharactersd

5、oesn’tbelongtOthe“HurtsOilPainting”The“Hurts0ilPainting”iSfulloftragicconsciousnessandshowsthetragedyofsocietyandlifeMoreoveritnegatedandcriticizedtheCulturalRevolutionandreflectedthesocialWagedyduringtheCultureRevolutio

6、nTherefore，ithasexpressedthetragicspiritoffightingagainstfateThe“Hurts0ilPainting”wasthetrueexpressionofthetragicrealitywhichrebelagainst‘falserealism’ofthemodeloftheCulturalRevolutionandretumtotherealrealismItsdescripti

7、ontodestinyandindividualvalueoflifehasshowedthecorevaluesofrealismrealismspiritThroughacomprehensiveunderstandingofthe“Hurts0ilPainting”，wecanunderstanditsbasicreasonofstronginfectionandsocialinfluence，knowitsvalueoftrue

8、realismandtragicconsciousness，andwecanalsocomprehendtheuniquevalueof‘‘HurtsOilPainting’’inthedevelopmentofthecomprehensivestudyon“HurtsOilPainting”，creationofcontemporaryoilpaintingChineseoilpaintingAccordingtotheIhopeto