中國油畫中的傳統(tǒng)審美價值_26437.pdf

1、獨創(chuàng)性聲明本人聲明所里交的論文是我個人在導(dǎo)師指導(dǎo)下進(jìn)行的研究工作叉取得的研究成果。盡我所知，除了文中特別加圳標(biāo)注和致謝的地方外，論文中不包含其他人己經(jīng)發(fā)表或撰寫過的研究成果。與我一同工作的同志對本研究所做的任何貢獻(xiàn)均己在論文中作了明確的說明并專；=7；自斗喜霰不J謝葸。學(xué)位論文作者簽名：導(dǎo)師簽名：寺葡譏簽字Et期：衣口，，沙，弓關(guān)于論文使用授權(quán)的說明本人完全了解西安美術(shù)學(xué)院關(guān)于保留、使用學(xué)位論文的各項規(guī)定：!至]重、(選擇“同意“／“不

2、同意”)以下事項：1學(xué)校有權(quán)保留本論文的復(fù)印件和磁盤，允許論文被查閱和潛魔，可以采用影印、縮印或掃描等復(fù)制手段保存、匯編學(xué)位論文；2學(xué)校有權(quán)將本人的學(xué)位論文提交至清華大學(xué)“中國學(xué)術(shù)期刊(光盤皈)電子雜志社“用于出版和編入CNKI《中國知識資源總庫》或其他同類數(shù)據(jù)庫，傳播本學(xué)位論文的全部或部分內(nèi)容。掌1立論文怍者簽名：學(xué)諺^簽字日期：翌!!：竺：二了詈師簽名：—二＆杖j西啦一簽字日期：24件邶Subject：Thetraditionala

3、estheticvalueinChineseoil—paintingSpecialty：ArtSchool(Painting)Name：LiYubingInstructor：ProfessorLiuJianjianABSTRACTTheissueofthelocalizationofChineseoilpaintinghasexperiencedabumpyroadNowithasgainedmanyachievementsafterc

4、ontinuouseffortsofseveralgenerationsofartistsTheyaccumulatedmuchexperiencefromexploringandpracticing，andpointedoutthewaytowardsthedevelopmentofthelocationofChineseoilpaintingwhichwastOlookforavailablevaluefromChinesetrad

5、itionalcultureItdemandedtObringChinesecultureandaestheticfeaturesintooil—paintingcreation，whichmadeChineseoil—paintingownChinesespecialaestheticfactorsbothinspiritandcontentChinesetraditionalaestheticsWasinfluencedbyConf

6、ucianandTaoistaswellasZenphilosophyinwhichTaoistphilosophysufferedthemostprofoundinfluenceThispaperWasbasedontheviewpointsof‘‘Tao’，‘‘Chi’’，‘‘Manifestation’’proposedbyLao—tseThenitfoundoutthetraditionalaestheticelementswh

7、ichweresuitedtOoilpaintingcreationandtriedt0discusstheircombinationThisviewpointofLao—tseWasinterrelateduniverseoccurstheoryChiiStheprototypeofTaoBothChiandTaocallbetracedbacktOtheideaofManifestationAccordingtOthisviewth

8、etraditionalaestheticselementslike‘‘nature’’，‘‘flavor’，‘‘imagery’manifestedinthedevelopmentprocessofthelocalizationofChineseoil—paintingThefastchapterofthispapermadethesimplenarrationtOthebumpyroadofthelocalizationofChin

9、eseoil—painting，andexpoundedtheimportanceofthereturnofthetraditionalcultureThesecondchapterlistedtheaestheticselementsinthebigframework，whichis‘‘nature’，‘‘flavor’，‘‘vacantspace’’，‘‘spiritualexpression’’，anddescribedthemb