肖斯塔科維奇《第二鋼琴奏鳴曲》創(chuàng)作技法探析_3696.pdf

1、目錄摘要..................................................................................................................................IAbstract.............................................................................

2、...............................................III緒論.................................................................................................................................1一、選題緣由................................

3、............................................................................1二、選題意義............................................................................................................2三、研究現(xiàn)狀......................

4、......................................................................................2四、研究思路與方法................................................................................................3第1章肖斯塔科維奇的藝術(shù)生涯.............

5、....................................................................41.1肖斯塔科維奇的生平簡(jiǎn)介..................................................................................41.2肖斯塔科維奇創(chuàng)作階段簡(jiǎn)述.......................................

6、.......................................61.3肖斯塔科維的音樂特點(diǎn)簡(jiǎn)述.............................................................................8第2章作品《第二鋼琴奏鳴曲》簡(jiǎn)介.......................................................................

7、112.1《第二鋼琴奏鳴曲》創(chuàng)作背景.......................................................................112.2《第二鋼琴奏鳴曲》內(nèi)容簡(jiǎn)介.........................................................................12第3章肖斯塔科維奇《第二鋼琴奏鳴曲》的創(chuàng)作技法...............

8、............................143.1曲式結(jié)構(gòu)分析...................................................................................................143.1.1第一樂章.......................................................................

9、...........................143.1.2第二樂章..................................................................................................163.1.3第三樂章.........................................................................

10、.........................183.2主題分析............................................................................................................223.2.1主題的構(gòu)成..................................................................

11、............................223.2.2主題發(fā)展手法..........................................................................................253.3調(diào)式與調(diào)性分析.............................................................................

12、...................363.3.1中古調(diào)式的使用......................................................................................363.3.2調(diào)性陳述方式........................................................................................

13、..373.3.3調(diào)性布局特點(diǎn)..........................................................................................423.4和聲分析..........................................................................................................

14、..463.4.1和弦結(jié)構(gòu)特點(diǎn)..........................................................................................463.4.2和聲進(jìn)行..................................................................................................493.5織