“詩(shī)學(xué)誤讀”視角下艾麗斯默多克三部小說(shuō)之研究_34190

1、南京理工大學(xué)碩士學(xué)位論文“詩(shī)學(xué)誤讀”視角下艾麗斯默多克三部小說(shuō)之研究姓名：宋軍美申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：英語(yǔ)語(yǔ)言文學(xué)指導(dǎo)教師：宋文20100517ABSTRACTIrisMurdochisolleofthemostdistinguishedcontemporaryBritishwritersHernovelsareuniqueinstyleandcontainprofoundphilosophicalconnotationSheisde

2、emedasa‘‘philosophicalwriter’MurdochisdeeplyinfluencedbywesterncanonsbothinliteratureandphilosophyReadersCansenseinhernovelsthetracesoftheBible，ancientGreekmythologyShakespeare’Sworks，andtheelementsofPlato，Sartre，andFreu

3、d’SthoughtsHowever，Murdochdoesnotmerelyimimtethosegiantprecursors’works，buttobreaktheshackleoftheirinfluence，ingeniouslyinfusingthoseelementsofwesterncanonsintoherownnovels，thusservingtheconstantthemeinherno、，els—hermora

4、lphilosophicalideaof“Good’’_行omselfnesstoothernessandattendingotherswithtrueloveHernovelstherebyhaveachievedgreatoriginalityThetheoryof“PoeticMisprision”createdbyHarold，Bloom，thewellknownAmericanliterarycritic，arousessen

5、sationinliterarycircleHeelaboratesontheintimaterelationshipbetweenthenewpoemandtheirgreatforerunnersfromtheuniqueperspectiveofpsychoanalysis，maintainingthateverygreatworkcomesfromtheintenseanxietyofinfluenceandistheresul

6、tofcreativemisprisionofprecursors’worksThisthesisselectsMurdoch’SthreenovelsTheBlackPrince，TheSeatheSea，TheUnicornasstudymaterials，andemploysBloom’Stheoryof“PoeticMisprision’’tocarryoutthestudyofhowMurdochinthesenovelsmi

7、sreadsandrevisesthegiantforerunners’worksandthoughtstoserveheruniqueethicalphilosophicaltheme，SOastoachieveoriginalityThisthesisisdividedintothreechaptersThefirstchapterisconcernedabouttheintroductiontoHaroldBloom’Stheor

8、yof‘‘PoeticMisprision’andIrisMurdoch’Smoralphilosophicalidea‘‘Good’’andherartisticviewwhicharethetheoreticalfoundationforthefollowingchaptersThesecondandthetllirdchapteraredevotedtotheanalysisofMurdoch’Smisprisionofweste

9、mcanonsinchronologicalorderwiththeageofShakespeareasthedividinglineThesecondchapterdealswiththemisreadingandrevisionoftheBible，ancientGreekmythologyandPlato’S“CaveMyth”；thethirdchapterfocusesonthatofShakespeare’SHamletFr

10、eud’S‘‘Oedipuscomplex’’andtraditionalgothicelementswhicharoseintheeighteenthcenturyOnthewhole，thisthesisprovidesanewdimensionforstudyingMurdoch’Snovels：examininghowMurdochrevisesthewesterncanonicalelementstoserveheruniqu