英語專業(yè)英國文學(xué)復(fù)習(xí)資料

1、1TheAngloSaxons(4501100)Epics(ALongnarrativepoempresentedinanelevatedstylerelatingtheheroicdeedsofnoblesemidivinepersonages)“Beowulf”thenationalepictheonlysurvivingfulllengthepicinOldEnglishcomposedduringtheeighthcentury

2、.ThepoemnarratestheheroicdeedsofBeowulfwhokillsthedragonGrendalhismotherlaterbecomesthekingofGeat.Hediesinkillingadragon.LyricsRiddlesThelyricpresentsamepersonalemotionalfmofpoetrythantheepic.Theriddleafmofpoetryinwhicha

3、nobjectpersonisdescribedinaratherambiguousmanner.2TheMedievalPeriod(11001500)中世紀(jì)時期中世紀(jì)時期Folkballads民間歌謠民間歌謠(SongssungbythecommonpeopleofEngl.)Romances浪漫詩浪漫詩(versenarrativethatsingsofknightlyadventuresheroicdeedschivalricl

4、oveofthedleAgesinEurope)SirGawaintheGreenknight高文爵士與綠衣騎士高文爵士與綠衣騎士(1360—1370Alliterativemetrical)GeoffreyChaucer(13401400thefounderofEnglishpoetrytheFatherofEnglishliteratureheroiccouplets)TheBookoftheDuchess公爵夫人之書公爵夫人之書T

5、heHouseofFame聲譽(yù)之宮聲譽(yù)之宮TroylusCriseyde特洛伊羅斯與克麗西達(dá)特洛伊羅斯與克麗西達(dá)TheLegendofGoodWomen賢婦傳奇賢婦傳奇TheCanterburyTales坎特伯雷故事集坎特伯雷故事集（13871400The29Pilgrims(清教徒)24tales)3TheRenaissance(15001650)文藝復(fù)興文藝復(fù)興(Humanism人道主義人道主義)I.TheriseoftheRena

6、issanceundertheearlyTudmonarchs(15001558)都鐸王朝都鐸王朝PoetryThepoetryofThomasWyattHenryHowardEarlofSurreytheyintroducedtheItaliansontoEngl.ElabateRenaissanceconventionsoflovepoetryweretransplanted.Thecourtierpoets宮廷詩人宮廷詩人TheE

7、arlofEssex埃塞克斯伯爵埃塞克斯伯爵SirWalterRaleigh瓦爾特羅里爵士瓦爾特羅里爵士Son十四行詩十四行詩SirPhilipSydney菲利普菲利普錫德尼錫德尼AstrophelStella愛星者與星愛星者與星EdmundSpencer埃德蒙斯賓塞埃德蒙斯賓塞TheShepherd’sCalendar牧人月歷牧人月歷TheFaeireQueene仙后仙后Ametti小愛神小愛神DramaNativedramacont

8、inuedtodevelop:Miraclemalityplays.奇跡劇和道德劇奇跡劇和道德劇InterludeashtplaydesignedtobepresentedbetweencoursesofabanquetoneoftheimptantancestsofElizabethandrama.II.TheheightoftheRenaissanceunderElizabethI(15581603)伊麗莎白一世伊麗莎白一世TheU

9、niversityWits(大學(xué)才子派大學(xué)才子派)agroupofEnglishpoetsplaywrightsOxfdCambridgeThemostimptantmemberofthegroupwasChristopherMarlowe克里斯托弗克里斯托弗馬洛馬洛whosepowerfulblankverseplayspreparedthewayfShakespeare.(unrhymedtensyllablesalternatin

10、gstressesdivideintofivefeetiambicpentameter五步抑揚(yáng)格五步抑揚(yáng)格)1608Pericles泰爾親王配瑞克里斯泰爾親王配瑞克里斯1609Cymbeline辛白林辛白林1610TheWinter’sTale冬天的故事冬天的故事1611TheTempest暴風(fēng)雨暴風(fēng)雨1612HenryVIII亨利八世亨利八世Shakespeare’sVerse(Shakespeare’splaysaremainlyw

11、ritteninblankverse)FrancisBacon(15611626)1605AdvancementofLearning學(xué)術(shù)的進(jìn)展學(xué)術(shù)的進(jìn)展1620Novumganum新工具新工具1627NewAtlantics新大西島新大西島159716121625Essays論說文集論說文集(Bacon’scontribution:ThefounderofEnglishmaterialisticphilosophyThefirstEng

12、lishessayist)(Hisessaysare:shttreatedavarietyofsubjectsofuniversalinterestwerewritteninepigrammaticsharplyhonedstyle.)III.TheDeclineoftheRenaissanceundertheStuartMonarchs(16031649)斯圖亞特王室斯圖亞特王室Metaphysicalpoets玄學(xué)派玄學(xué)派stron

13、gharshlinesoverridingregularmeterstrainedmetaphs(conceits)strangeparadoxesfarfetchedimageryJohnDonne約翰多恩約翰多恩(theleadingmetaphysicalpoetTheFlea)CavalierPoets?；逝杀；逝葾groupofminpoetsinthedledecadesofthe17thcenturyincludingch

14、ieflyThomasCarewJohnSucklingRidLovelaceRobertHerrickallofwhomwereconsideredasbelongingtothe“TribeofBen”.CounseltoGirls(RobertHerrick)ThePuritanPoetsJohnMilton(1608—1674)約翰彌爾頓約翰彌爾頓Puritanism(清教主義)1629“MningofChrist’sNativ

15、ity”圣誕晨歌圣誕晨歌1632“L’Allegro”歡樂的人歡樂的人“IlPenseroso”沉思的人沉思的人1644Areopagitica《論出版自由》《論出版自由》1651DeferenceoftheEnglishPeople《為英國人民辨》《為英國人民辨》1654SecondDeferenceoftheEnglishPeople《再為英國人民辨》《再為英國人民辨》1667ParadiseLost《失樂園》《失樂園》★1671P

16、aradiseRegained《復(fù)樂園》《復(fù)樂園》1671SamsonAgonistes《力士參孫》《力士參孫》4TheAgeofReason(16501780)NeoClassicismEnlightenment(theybelievedinthepowerofreason)TheAgeofReasoninEnglbeginswiththerestation(1660—1688).王政復(fù)辟王政復(fù)辟NeoClassicism(Arevi

17、valofinterestintheoldclassicalwksduringtheEnlightenmentMovementApoliteurbanewittyintellectualartaredevelopedHumanbeingsareregardedastheprimarysubjectofliterature.)JohnDryden(1631—1700)約翰約翰德萊頓德萊頓“AllfLove”一切為了愛一切為了愛“Absal

18、omAchitophel”押沙龍與阿齊托菲爾押沙龍與阿齊托菲爾“ASongfSt.Ceilia’sDay1687”圣西西莉亞日之歌圣西西莉亞日之歌“Alexer’sFeast”亞歷山大的宴會亞歷山大的宴會“AnEssayofDramaticPoesy”論戲劇詩論戲劇詩JohnDrydentheheroiccouplet(Drydenuseditsoeffectivelythatitbecamepopularfthenextthreege