20世紀中期(19491979)上海印染設(shè)計師群體研究

1、 I 分類號注 1： 密級注 2： UDC注 3： 學號注 4： （宋體小四） 碩 士 學 位 論 文 20 世紀中期（ 世紀中期（1949—1979）上海印染設(shè)計 ）上海印染設(shè)計師群體研究 師群體研究 研究生姓名： 朱 丹 導(dǎo)師姓名： 龔建培 龔建培 教授 教授 申請學位級別 碩士學位 學科專業(yè)名稱 設(shè)計藝術(shù)學

2、設(shè)計藝術(shù)學 纖維藝術(shù)與紡織品設(shè)計研究方向 纖維藝術(shù)與紡織品設(shè)計研究方向 論文提交日期 20 2012 12 年 2 月 27 27 日 論文答辯日期 20 20 年 月 日 學位授予單位 南京藝術(shù)學院 南京藝術(shù)學院 學位授予日期 20 20 年 月 日 答辯委員會主席 評 閱 人 2012 年 2 月 27 日 III Abs

3、tract Abstract Shanghai has been influenced by western in technology, culture and many other aspects since the late Qing dynasty. Shanghai is one of the core of Chinese textile bases in the middle of 20th century and it

4、plays important lead role for other area in dyeing and printing technology and design level. Another important reason is: at that time, Shanghai has a large number of the national top level of printing and dyeing

5、designer group. In the modern history of design research, consumption culture has gradually become the center of research, and I think at the time of Shanghai printing and dyeing designer group, is both popular c

6、onsumption culture creator, also is the experience on the popular consumption culture and the formation of the development plays an important role in, so, this article to the middle of the twentieth century

7、 (1949-1979) Shanghai printing and dyeing designer group as the main research object, trying to from a new perspective stylist and consumer culture discussed the relationship. This paper first through to the middle of t

8、he twentieth century Shanghai printing and dyeing designer group development background, development characteristics and so on various research, reveals the reason of Shanghai printing and dyeing designer group of format

9、ion and development and particularity---in a variety of personnel structure and different professional structure, it forms the design level of higher and rich design characteristics, not only on the leading edge of trend

10、 in the consumer market, but also has important lead of the dyeing and printing design and guidance to other areas of the country. Then based on the image data and samples of printing to analyze the period of development

11、 grain and summarized the development of printing and dyeing design contexts, each phase of the characteristic and in the market and the international fashion trend, the impact of the Shanghai printing and dyeing design

12、in inherit the traditional continually on the basis of absorbing foreign pattern characteristics, forming an extremely rich textiles and varied design style characteristics. Second from case studies of stylist analyze an

13、 individual stylist and the influence in the group. Finally the conclusion and presents the author of modern textile art design and consumer culture development of the relationship between thinking. Key words ey words: t