日常物的轉(zhuǎn)化——庫奈里斯的藝術(shù)觀念分析

1、日常物的轉(zhuǎn)化—庫奈里斯的藝術(shù)觀念分析 論文題目： 論文題目：日常物的轉(zhuǎn)化 日常物的轉(zhuǎn)化 ——庫奈里斯的藝術(shù)觀念分析 庫奈里斯的藝術(shù)觀念分析 專 業(yè)：美術(shù)學(xué) 業(yè)：美術(shù)學(xué) 碩 士 生：蔡龍飛 生：蔡龍飛 指導(dǎo)老師：賀 指導(dǎo)老師：賀 丹 摘 要 貧窮藝術(shù)作為 20 世紀 60 年代在國際上頗具影響力的藝術(shù)運動，以其紛繁的表現(xiàn)形式，關(guān)注問題的復(fù)雜多樣，以至于在其首次展

2、示出創(chuàng)造性的 30 年后的今天，人們?nèi)匀缓茈y賦予它確切的定義。雅尼斯· 庫奈里斯作為意大利著名的貧窮藝術(shù)的代表性藝術(shù)家，他的作品以撿拾廢舊品和日常材料作為表現(xiàn)媒介進行藝術(shù)創(chuàng)作,打破了藝術(shù)語言的地位、現(xiàn)狀與圖式， 對后世藝術(shù)的發(fā)展產(chǎn)生了極大的影響。 通過對庫奈里斯創(chuàng)作方式及作品觀念的分析， 讓我們更為深入的理解貧窮藝術(shù)的價值。 庫奈里斯并沒有刻意想要通過日常物的運用去反對傳統(tǒng)美學(xué)， 而他只是自然而然的選擇了現(xiàn)成品來作為表達媒介，

3、 又或者說他不是為了表達某種東西而選擇了現(xiàn)成品， 而是從現(xiàn)成品中發(fā)現(xiàn)了某種未被注意的價值。 那么在他的這種創(chuàng)作方式中， 他是如何選擇并使用日常物品？這些日常物為何能成為藝術(shù)？關(guān)于它們的評判標準是什么？他的藝術(shù)想表達何種觀念？這種藝術(shù)又有何意義？對于這些問題的探究對于我們理解庫奈里斯及貧窮藝術(shù)有著重要意義， 對于我們?nèi)绾蚊鎸裉焖囆g(shù)的發(fā)展也是非常重要的問題。 本文分為四個部分來解讀貧窮藝術(shù)中日常物轉(zhuǎn)化為藝術(shù)的價值和意義： 第一部分關(guān)于貧窮

4、藝術(shù)的基本概念和主張以及產(chǎn)生背景。 第二部分就庫奈里斯的藝術(shù)觀念及主張進行分析， 通過對其典型作品的分析解讀， 以了解他作品中對于日常物的使用方式及觀念表達。 第三部分繼而引出日常物如何轉(zhuǎn)化為藝術(shù)——藝術(shù)家通過對日常物品賦予其新的觀念和意義，使其達到從非藝術(shù)到藝術(shù)的轉(zhuǎn)化。第四部分，貧窮藝術(shù)中“日常物”藝術(shù)的意義，貧窮藝術(shù)認為藝術(shù)與生活不是對立的。正如庫奈里斯所指出：“我們今天需要達到的是生活與藝術(shù)實踐之間的統(tǒng)一。”這種揭示本真、內(nèi)心精神

5、世界的藝術(shù)追日常物的轉(zhuǎn)化—庫奈里斯的藝術(shù)觀念分析 Subject:Transfiguration of the Commonplace —Analysis of Kounellis's concept of Art Specialty: Fine Art Name: Cai longfei Instructor: He dan ABSTRACT In 1960s, as an influential artistic

6、 movement in the international arena, Arte Povera with its various manifestations and complicated concerns still cannot be well defined even in today when it shows its creativity for the first time. Jannis Kounellis, a f

7、amous Italian representative artist for Arte Povera, utilized wastes and everyday materials as mediums for artistic creation, which broke through the status, present situation and schemata of art language and played an e

8、xtremely important role in the development of subsequent arts. How did Jannis Kounellis choose and use everyday materials in such way of creation? How these everyday materials became artistic works? What’s the criteria f

9、or these? What conceptions did his works express? And what were the points of these works? The explorations on these questions not only contribute to our understanding of Kounellis and Arte Povera, but also make it easie

10、r for us to comprehend the development of arts today. This thesis is divided into four parts to interpret the value and significance for transforming everyday materials of Arte Povera into artistic works. Part I introduc

11、es the basic concepts and ideas, as well as background of Arte Povera. Then Part II analyzes the artistic concepts and propositions of Kounellis by interpreting his typical works so as to acquaint with his utilization an

12、d expression of everyday materials. Part III explains how everyday materials turn into artistic works--artists give new concepts and meanings to them so that they can accomplish the transformations from non-art forms to

13、artistic works. And Part IV states the significance of arts from everyday materials, which is that art is not opposite to life in Arte Povera. As Kounellis pointed out that “What we need to achieve today is the unity bet