生存背后的審美之維——苗族“返鄉(xiāng)”情結(jié)的生態(tài)審美思考

1、廣西民族大學(xué)碩士學(xué)位論文生存背后的審美之維——苗族“返鄉(xiāng)”情結(jié)的生態(tài)審美思考姓名：王成申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：中國少數(shù)民族語言文學(xué)指導(dǎo)教師：黃秉生20080401IIAESTHETIC DIMENSION BEHIND THE SURVIVAL—— ——ECOLOGICAL AESTHETIC THINKING OF THELOVING KNOT OF RETURNING HOME IN THE MIAOETHNIC MINORITYA

2、BSTRACTMiao is the old ethnic minority that has a long history in the south ofChina. Their ancestors had lived in the wide areas of the lower reaches ofYellow River and the middle and lower reaches of Yangtze River inear

3、lier times. With the special situation of survival, the people of Miaomoved to the south which has a relative wicker condition for survivalafter undergoing migration for five times. The survival plight of Miaohistory pro

4、motes the loving knot of returning home. Actually, this lovingknot is an aesthetic philosophizing behind living. Although it isspontaneous collective unconscious, it gives us profound inspirationthrough historical barrie

5、rs. It has multi-content: the displacement of home,the spirit of “returning home“, the returning and highlighting of life. Atthe same time, this knot is ecological aesthetic style; it highlights thelogic content with rec

6、ognizing the relationship of ecological aestheticbetween people and nature, people-to-people, with the question of the selfsurvival, with the ideal of yearning for poetic hometown. I study this casethat contains the impl

7、ication of ecological aesthetic of the loving knot ofreturning home in Miao, it is also the concerning of the survival of peoplein the 21st century on the whole. The ecological aesthetic containing ofthe loving knot of r

8、eturning home in Miao reflects profoundcontemporary era, so the meaning is significant by the ecologicalaesthetic thinking of the loving knot of returning home in Miao. Itenlightens people on going out of the modern plig