閔惠芬與二胡“聲腔化”藝術(shù)

1、單 位 代 碼 10445 10445學(xué) 號 2014 2014020575 020575分 類 號 J6 J632.21 32.21研 究 生 類 別 研 究 生 類 別 全日制碩士 全日制碩士碩 士 學(xué) 位 論 文論 文 題 目 閔惠芬與二胡“聲腔化”藝術(shù)專業(yè)學(xué)位名稱 專業(yè)學(xué)位名稱 音樂 音樂與舞蹈學(xué) 與舞蹈學(xué)申 請 人 姓 名 李巧瓏 李巧瓏指 導(dǎo) 教 師 劉天浩 劉天浩 副教授 副教授論文提交時間 論文提交時間 2017 201

2、7 年 5 月 10 10 日山東師范大學(xué)研究生院山東師范大學(xué)碩士學(xué)位論文目 錄中文摘要 中文摘要····························

3、83;····································&

4、#183;·····················1Abstract Abstract············

5、;····································

6、83;····································&

7、#183;·3引言 引言··································

8、;····································

9、83;······················5第一章 第一章 閔惠芬的大師成功之路 閔惠芬的大師成功之路·········&

10、#183;····································

11、;·········· 8第一節(jié) 世家：遺傳+氛圍························&

12、#183;································· 8第二節(jié) 專家：天才+勤奮

13、83;····································&

14、#183;···················· 9第三節(jié) 雜家：學(xué)習(xí)+創(chuàng)作·············

15、83;····································&

16、#183;······11第四節(jié) 大家：繼承+發(fā)展···························

17、83;···························· 12一、社會文藝思潮對閔惠芬藝術(shù)生成的影響····

18、83;·······················12二、閔惠芬對二胡事業(yè)所作出的貢獻(xiàn)··········&

19、#183;··························15第二章 第二章 二胡 二胡“聲腔化 聲腔化”藝術(shù)初步探索 藝術(shù)初步探索···

20、3;····································&#

21、183;·····18第一節(jié) 二胡“聲腔化”藝術(shù)的定義····························

22、···············18第二節(jié) 二胡“聲腔化”藝術(shù)的前提條件··················&#

23、183;··················18一、音樂的模仿性················&#

24、183;····································

25、········ 18二、音樂與語言的關(guān)系··························

26、83;····························19三、二胡音色特征······

27、83;····································&

28、#183;················· 19四、傳統(tǒng)與歷史淵源·················

29、;····································

30、83;···· 19第三節(jié) 展望二胡“聲腔化”藝術(shù)的未來發(fā)展····························&#

31、183;··19一、回歸中國傳統(tǒng)民族音樂的母語語境·······························

32、;···19二、符合世界音樂文化的巨大發(fā)展潮流······························&#

33、183;···20三、中國傳統(tǒng)音樂的未來挖掘潛力無窮······························

34、;····21第三章 第三章 二胡 二胡“聲腔化 聲腔化”藝術(shù)的突出代表作品 藝術(shù)的突出代表作品·························&#

35、183;·········· 22第一節(jié) 作品的分類························

36、····································

37、3;··· 22一、根據(jù)聲腔改編移植的作品······························

38、3;···············22二、利用潤腔的創(chuàng)作技法新作品··················

39、3;························22三、閔惠芬二度創(chuàng)作的作品··········

40、····································

41、3;··23第二節(jié) 閔惠芬三個表演藝術(shù)巔峰·······························