探究漢畫像中袖舞的身體語言表達

1、 分類號：J722.4 密級： UDC：700 學校代碼：11065 碩 士 學 位 論 文 探究漢畫像中袖舞的身體語言表達 探究漢畫像中袖舞的身體語言表達 鄒丹丹 指 導 教 師張琳仙 教授 學 科 專 業(yè) 名 稱 音樂與舞蹈學 論 文 提 交 日 期 2017 年 4 月 2

2、4 日 論 文 答 辯 日 期 答辯委員會主席 Abstract The Han Dynasty portrait is the treasure of our country’s historical and cultural heritage, and it is the important carrier of the history and culture of the Han dyna

3、sty. Then by the Han people’s religious belief and feudal superstition, in the underground tomb, ancestral hall, temple and cemetery tomb que building carved on the people’s real life, historical stories and fairy world

4、for dead ancestors of pleasure. Han stone not only the real record of the Han Dynasty dance also showing a broad in different poses and with different expressions, macros, “coarse plain”, “Romance of the Han Dynasty and

5、his artistic temperament.” The sleeve dance is one of the most distinctive type of dance in Han Dynasty, “the sleeve dance” is to “the sleeve” as a prop to extend the line of the body, and performing skills, and apprecia

6、tion education, as one of the classical dance, is also a prominent symbol Chinese ancient dance. In the long history of the development of Chinese dance, the sleeve dance originated in the Western Zhou Dynasty, experienc

7、ed all the historical times, and with the development history and culture and the day. The sleeve dance due to the influence of Chu culture, showing a romantic sleeve dance without losing the wild temperament, reflecting

8、 the unique charm of the art of the Han dynasty. This is to the Han Dynasty in the sleeve dance as the research object, research was carried out by using body language, dance image, history and other research methods of

9、 the Han Dynasty in the sleeve dance history, from of expression, content and expression of the repertoire of use and so on, cultural value and social function are summarized and the Han Dynasty dance sleeve. Through the

10、 study of the body language of the Chinese figure dance, we can draw lessons from the current Chinese dance education and the construction of the body language of the Chinese classical dance. Key words: Han portrait; s