吳師道詩文批評研究

1、西北師范大學(xué)碩士學(xué)位論文吳師道詩文批評研究姓名：石瑰碩申請學(xué)位級別：碩士專業(yè)：中國古代文學(xué)指導(dǎo)教師：雷恩海2009-05IV Abstract WuShi-dao, a master of Neo-Confucianism, also excelled in literature, was profound in his knowledge and insightful in his views. He had a special st

2、atus in the literary history of the late Yuan Dynasty for his literary achievement as well as his insightful literary theory displayed by his poetry talks and poetry. Research on him enables our understanding of on what

3、attitudes and in what ways Neo-Confucianism was inherited and developed by people of Yuan Dynasty during the transition and changes from Song to Ming Dynasty on one hand, and on the other hand, through the case study of

4、WuShi-dao, the literary critic, we can grasp more accurately and profoundly the status quo of literary creation and the value trends of literary criticism at the time of Yuan Dynasty. The thesis constitutes three parts

5、: The first part made a brief introduction on the spread of Wu’s works and summarized the criticism and studies that later generation made on him, it made clear the necessity and importance of further studies on Wu’s the

6、ory of poetry criticism. The second part is the main part of the thesis, it is composed of six chapters. The first chapter introduced the cultural background on the putting forward of Wu’s theory, it was expounded from

7、two aspects: the status quo of poetry criticism in the late stage of Yuan Dynasty and the influence of Neo-Confucianism on Wu’s view on poetry, which dominated the academic world at that time. The second chapter is the p

8、hilosophical foundation for Wu’s theory. It probed into Wu’s literary ontology that “Poetry is out of one’s qi” and previous studies on “qi”. The third chapter started itself from the viewpoint of “cultivating qi”, in wh

9、ich Wu’s theory of poets’ self-cultivation was introduced, the content of this theory and the ways of cultivating qi were analyzed. In the fourth chapter, the thesis elaborated on Wu’s theory of literary creation, mainly

10、 focused on inspiration and the view of natural literary creation, that is, poetry is the display of one’s own personality, which was emphasized by Wu. Combining Wu’s theory that literary creation should abide the law, t