魔怪意象在曹禺早期劇作中的原型解讀.pdf

1、上海交通大學(xué)碩士學(xué)位論文魔怪意象在曹禺早期劇作中的原型解讀姓名：楊燕娜申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：文藝學(xué)指導(dǎo)教師：方明光20050101iiArchetypal Analysis of Demonic Imageryin Caoyu’s Early DramaA b s t r a c tArchetypal Criticism is one of the important theories in the west. It

2、was introduced toChina in Chinese literature climacteric. It has played an important role in Chineseliterature criticism, and now on. Archetypal Criticism finds various imageries whichappear repeatedly in literature

3、works and detects basic form named ‘Archetype’. Then it isapplied to analysis of literature works.Archetypal Criticism was different from Chinese traditional literature theory. It changedthe clas

4、s- conscious criticism which was the only criticism mode in China. When we moveforward the comprehension to Archetypal Criticism constantly, we also search a linkbetween Archetypal Criticism and Chinese litera

5、ture works, and try to analyze Chineseliterature works by Archetypal Criticism.This thesis would seize ‘demonic imagery ’ in Archetypal Criticism by way of a point ofview to study Caoyu’s early drama and

6、 change traditional literature theories whichanalyzed Caoyu’s drama. In Frye’s works, Archetypal Criticism involves three worlds ofdemonic imagery: the demonic divine world, the demonic human world and the oth

7、erdemonic world. The author wants to give some psychoanalysis to dramatis personae inCaoyu’s early works, and want to close to Caoyu’s real feeling.Keywords: Archetypal Criticism Demonic ImageryCaoyu’s